Adam, Adolphe (Charles) (1803-56) French; Paris-based
Style/Period:  Early French Romantic (bel canto)
Best Known For:  ballets---comic operas
Notable Works:  . . . Giselle [ballet] (1841) . . . Cantique de Nöel [O Holy Night] [carol] (1847) 
Musical Influences:  BOIELDIEU; Reicha
Has Influenced:  DELIBES

Adams, John (Coolidge) (1947-) American; San Francisco area-based from 1971
Style/Period:  Minimalist
Best Known For:  orchestral pcs---operas
Notable Works:  . . . Shaker Loops [string orch. arr.] (1983) . . . Nixon in China [opera] (1984-87), incl. 'The Chairman Dances' [orch.] . . . Short Ride in a Fast Machine [fanfare for orch.] (1986) . . . The Death of Klinghoffer [opera] (1991) . . . Chamber Sym. [for 15 instrs.] (1992) . . . Violin Conc. (1993)  
Musical Influences:  Glass; REICH; jazz

Adler, Samuel (Hans) (1928-) German-American
Style/Period:  "embraces a wide variety of contemporary styles"
Best Known For:  music on Jewish themes & for the Hebrew liturgy---orchestral pcs---choral & vocal/choral-orchestral music

Alain, Jehan (Ariste) (1911-40) French; Paris-based from 1927
Style/Period:  Mystical
Best Known For:  solo organ
Notable Works:  . . . Litanies [org] Op.79 (1937) . . . Variations sur un Thème de Clément Janequin [org] (1937) 
Musical Influences:  Debussy; Dupré; Messiaen; Satie; Asian music

87. Albéniz, Isaac (1860-1909) Spanish
Style/Period:  Spanish Nationalist
Genre Profile:  012---2000---0000---300---02---010
Quantity of Work Produced:  considerable
Best Known For:  solo piano (& later arrs. thereof for guitar)
Notable Works:  . . . Suite Española #1 [pf] Op.47 (1886) . . . España [pf suite] Op.165 (1890) . . . Cantos de España [pf] Op.232 (p1896) . . . Iberia [4 books of 12 works for pf] (1906-8; orch. arr. by E. Arbós, 1906-8) 
Musical Influences:  -Chopin; +Debussy; +Dukas; Fauré; Indy; Liszt; [F Pedrell]; Wagner; Spanish folk music
Has Influenced:  Debussy; Falla; Granados; Ravel; Rodrigo; Turina

Albinoni, Tomaso (1671-1751) Italian; Venice-based
Style/Period:  Late Italian Baroque
Genre Profile:  011---0232---2222---001---02---120
Quantity of Work Produced:  extensive
Best Known For:  concs.---operas---trio sonatas
Notable Works:  . . . 12 Concerti a Cinque [1 or 2 oboes & strings] Op.7 (1715) . . . 12 Concerti a Cinque [1 or 2 oboes (or vln) & strings] Op.9 (1722) . . . Adagio in G Minor [arr. of spurious fragment for org & string orch.] (arr. late 1940s) 
Musical Influences:  Corelli; Torelli; +Vivaldi
Has Influenced:  JS Bach; Vivaldi

Alfvén, Hugo (1872-1960) Swedish
Style/Period:  Late Romantic
Best Known For:  programmatic orchestral pcs---vocal/choral music---syms.
Notable Work:  . . . Swedish Rhapsody #1 'Midsummer Vigil' [orch.] Op.19 (1903) 
Musical Influences:  Wagner; Swedish folksong

Alkan, (Charles-)Valentin (1813-88) French; Paris-based
Style/Period:  Middle French Romantic
Best Known For:  solo piano & solo organ
Notable Work:  . . . 12 Etudes dans les Tons Mineurs [pf] Op.39 (p1857) 
Musical Influences:  --JS Bach; Beethoven; Berlioz; CHOPIN; --Handel; Liszt; Mendelssohn

Allegri, Gregorio (1582-1652) Italian; Rome-based
Style/Period:  Early Italian Baroque (stile antico)
Best Known Work:  . . . Il salmo Miserere mei Deus [psalm setting for 9 vv] (c1640) 
Musical Influences:  PALESTRINA

Alwyn, William (1905-85) British
Style/Period:  Neoromantic
Best Known For:  syms.---concs.---film scores
Musical Influences:  Ravel; Sibelius; Vaughan Williams

Amram, David (1930-) American
Best Known For:  music for stage & film---orchestral pcs---music on Jewish themes
Musical Influences:  jazz

Anderson, Leroy (1908-75) American
Style/Period:  American Light Classical
Best Known For:  light orchestral pcs
Notable Works:  . . . Fiddle-Faddle [string orch.] (1947) . . . Sleigh Ride [orch.] (1950) . . . Blue Tango [orch.] (1952) 
Musical Influences:  Gershwin

Andriessen, Louis (1939-) Dutch
Best Known For:  unusual instrumental settings---dissonant pcs
Musical Influences:  STRAVINSKY; jazz; minimalism

Arensky, Anton (1861-1906) Russian
Style/Period:  Late Russian Romantic
Best Known For:  chamber music---orchestral pcs---concs.---syms.
Notable Works:  . . . Piano Trio #1 in D minor Op.32 (1894) . . . Variations on a Theme of Tchaikovsky in E minor [strings] Op.35a (1894)
Musical Influences:  -Chopin; -Mendelssohn; Rimsky-Korsakov; TCHAIKOVSKY
Has Influenced:  Glière; Rachmaninov; Scriabin

Argento, Dominick (1927-) American
Style/Period:  Neoromantic
Best Known For:  operas---song cycles---choral music
Musical Influences:  ---Mozart; --Mussorgsky; --Verdi

Arne, Thomas (1710-78) British; London-based
Style/Period:  Pre-Classical
Best Known For:  operas & other stage works---songs---incidental music
Notable Work:  . . . Rule Britannia [song for chorus & orch. from the masque Alfred] (1740) 
Musical Influences:  Geminiani; Handel; French & Italian music

Arnold, Malcolm (1921-2006) British
Style/Period:  Neoromantic (English Vernacularist)
Genre Profile:  222---1122---2222---102---21---110
Quantity of Work Produced:  extensive
Best Known For:  film scores---syms.---concs.---chamber music, espec. sonatas---winds (chamber combs., w/orch.)
Notable Works:  . . . 4 English Dances (2 sets) [orch.] Opp. 27/33 (1950/1951) . . . Sonatina for Clarinet & Piano Op.29 (1951) . . . Conc. for Guitar & Chamber Orch. Op.67 (1959) . . . Brass Quintet Op.73 (1960) . . . Conc. for Clarinet & Orch. Op.115 (1974) 
Musical Influences:  Bartók; --BERLIOZ; Sibelius; jazz; popular music

Auber, Daniel-François-Esprit (1782-1871) French; Paris-based
Style/Period:  Early French Romantic (bel canto)
Best Known For:  comic operas
Notable Work:  . . . Fra Diavolo [opera] (1830) 
Musical Influences:  Cherubini; Mozart; +Rossini; +Weber
Has Influenced:  Dargomïzhsky; Flotow; Meyerbeer; Wagner

Auric, Georges (1899-1983) French
Style/Period:  French Neoclassical
Best Known For:  film scores---chamber music--ballets & incidental music

Babbitt, Milton (1916-) American; mainly Princeton-based from 1938
Style/Period:  Post-Webernian Serial
Best Known For:  computer & magnetic tape-based music---solo piano
Musical Influences:  Berg; SCHOENBERG; Sessions; Webern
Has Influenced:  Davidovsky; Schuller; Wuorinen

61. Bach, Carl Philipp Emanuel (1714-88) German; Berlin-based 1738-68; Hamburg-based thereafter
Style/Period:  Pre-Classical
Genre Profile:  300---3222---2222---232---00---220
Quantity of Work Produced:  immense
Best Known For:  solo keyboard---syms.---concs.---sonatas & trio sonatas---sacred vocal/choral music---flute (solo, chamber combs., concs.)
Notable Works:  . . . sonatas (6) [fl & continuo] W125-7,129,130,134 (1735-40) . . . 6 Sonatas 'Wurttemberg' [keyb] W49 (1744) . . . Sonata for Flute Solo in A minor W132 (1747) . . . Conc. for Cello & Strings in A W172 (1753?) . . . Conc. for Flute & Strings in G W169 (1755?) . . . 6 Sonatas & Prelude [org] W70 (1755 & 1758) . . . Conc. for Oboe & Strings in E flat W165 (1765?) . . . Orchestral Sym. #3 in C from W182, '6 Hamburg Symphonies' (1773) 
Musical Influences:  JS BACH; Hasse; Telemann; Vivaldi
Has Influenced:  JC BACH; Beethoven; J HAYDN; Hummel; Mozart

Bach, Johann Christian (1735-82) German; London-based from 1762
Style/Period:  Pre-Classical
Genre Profile:  222---2022---2222---220---02---220
Quantity of Work Produced:  extensive
Best Known For:  syms. & sinfonies concertantes---keyboard sonatas---concs.---chamber music---operas
Notable Works:  . . . Grand Over. in B flat from (the opera) Lucio Silla Op.18 no.2 [orch.] (c1779) . . . Sinfonie Concertante in A [vln, vc, 2 oboes & strings] (p1773) . . . 6 Quintets [fl, oboe, vln, va & continuo] Op.11 (p1774) 
Musical Influences:  CPE BACH; JS BACH; Hasse; Jommelli; [GB Martini]; Sammartini; Italian music
Has Influenced:  -Boyce; MOZART

1. Bach, Johann Sebastian (1685-1750) German; Leipzig-based from 1723
Style/Period:  Late German Baroque (w/eclectic German, French & Italian elements)
Genre Profile:  003---3323---2222---033---00---330
Quantity of Work Produced:  immense
Best Known For:  solo organ---sacred & secular cantatas---concs. & concerti grossi---masses---orchestral pcs---passions---works for solo player---sonatas---harpsichord (solo, chamber combs., w/orch.)---motets
Notable Works:  . . . Christ Lag in Todesbanden [church cantata for 4 solo vv, chorus & orch.] BWV4 (1707-8?) . . . Toccata & Fugue in D minor [org] BWV565 (before 1709) . . . Passacaglia & Fugue in C minor [org] BWV582 (1708-12?) . . . Prelude & Fugue in D [org] BWV532 (1708-17) . . . Toccata & Fugue in F [org] BWV540 (1708-17) . . . Toccata, Adagio & Fugue in C [org] BWV564 (1708-17) . . . Brandenburg Concertos [6 concerti grossi for featured instrs. & strings] BWV1046-51 (1708-21) . . . unaccompanied lute works BWV995-1000 & 1006a (c1708-40s) . . . Hunt Cantata [secular cantata for 4 solo vv & orch.] BWV208 (1713?), incl. 'That Sheep may Safely Graze' . . . Conc. for 2 Violins & Strings in D minor BWV1043 (1717-23) . . . Conc. for Violin & Strings in A minor BWV1041 (1717-23) . . . Conc. for Violin & Strings in E BWV1042 (1717-23) . . . 6 sonatas for violin & harpsichord BWV1014-9 (1717-23) . . . 3 sonatas for flute & harpsichord BWV1030-2 (1717-30s) . . . 3 sonatas for flute & continuo BWV1033-5 (1717-30s) . . . 4 Orchestral Suites [instrs. & strings] BWV1066-9 (c1717-30s), incl. 'Air on a G String' . . . Weichet Nur 'Wedding Cantata' [secular cantata for solo v & orch.] BWV202 (1718-23?) . . . 6 Partitas & Sonatas for Solo Violin BWV1001-6 (1720) . . . Partita in A minor [fl] BWV1013 (1720s) . . . Chromatic Fantasia & Fugue in D minor [keyb] BWV903 (c1720; r c1730) . . . The Well-Tempered Klavier (2 Books) [keyb] BWV846-69 & 870-93 (1722 & 1738-42) . . . Herz und Mund und Tat und Leben [church cantata for 4 solo vv, chorus & orch.] BWV147 (1723), incl. 'Jesu, Joy of Man's Desiring' . . . A Mighty Fortress is our God [church cantata for 4 solo vv, chorus & orch.] BWV80 (1724) . . . St. John Passion [4 solo vv, chorus & orch.] BWV245 (1724; r c1730s & 1740s) . . . St. Matthew Passion [4 solo vv, chorus & orch.] BWV244 (1727, r1736) . . . Magnificat in D [5 solo vv, chorus & orch.] BWV243 (c1728-31) . . . Conc. for Harpsichord & Strings in D minor BWV1052 (1728-35) . . . Conc. for Harpsichord & Strings in F minor BWV1056 (1728-35) . . . 6 Partitas [keyb] BWV825-30 (1731) . . . Wachet Auf! 'Sleepers Awake!' [church cantata for 4 solo vv, chorus & orch.] BWV140 (1731) . . . Christmas Oratorio [6 cantatas for solo vv, chorus & orch.] BWV248 (1734) . . . 'Concerto' in the Italian Style [keyb] BWV971 (1735) . . . 21 Choral Preludes [org] BWV669-89 (1739) . . . Goldberg Variations [keyb] BWV988 (1741-2) . . . The Art of Fugue [chamber music for unspecified instrumentation] BWV1080 (c1745-50) . . . The Musical Offering [fl, 2 vlns, keyb & continuo] BWV1079 (1747) . . . Mass in B minor [4 solo vv, chorus & orch.] BWV232 (c1747-9) . . . 6 Suites (Sonatas) for Solo Cello BWV1007-12 (c1750) . . . Conc. for 4 Harpsichords & Strings in A minor BWV1065 (d?) . . . Conc. for Oboe & Violin (or 2 Harpsichords) & Strings in C minor BWV1060 (d?) 
Musical Influences:  Albinoni; Böhm; BUXTEHUDE; F Couperin; --Frescobaldi; -Froberger; [F Gasparini]; [R Keiser]; Legrenzi; Lully; Pachelbel; -Schütz; --Sweelinck; Vivaldi; Zelenka
Has Influenced:  ++Alkan; CPE BACH; JC BACH; WF BACH; +++Bartók; +Beethoven; ++Brahms; ++Bruckner; +++BUSONI; ++Chopin; +Clementi; +++Dupré; +++Elgar; +++Enescu; +++Finzi; [+++W Fortner]; +++Foss; ++FRANCK; ++Franz; ++Gounod; +++Grainger; +++Hanson; +++Harbison; Hasse; +++Hindemith; +++HONEGGER; +++Ives; +++Kagel; +++Karg-Elert; +++Kodály; +++Koechlin; +++Kokkonen; KREBS; +++Ligeti; ++Loewe; +++Mahler; +++MARTIN; +++Martinu; ++MENDELSSOHN; ++Mendelssohn-Hensel; +Mozart; +++Nancarrow; ++Paine; ++PARRY; +++Penderecki; +++REGER; ++Rossini; +++Ruggles; +++Schnittke; +++Schoenberg; ++R Schumann; +++Shchedrin; +++Shostakovich; +++Stanford; +++Stravinsky; +++Taneyev; +++Villa-Lobos; +++Webern: ++WIDOR; [+++BA Zimmermann]

Bach, Wilhelm Friedemann (1710-84) German; Halle-based 1746-70
Style/Period:  Pre-Classical
Best Known For:  solo keyboard
Notable Work:  . . . Concerto in F [2 hpschds]
Musical Influences:  JS BACH

Badings, Henk (1907-87) Dutch
Best Known For:  unusual musical scales & harmonies---contributed to all main genres, including electronic music

Balakirev, Mily (1837-1910) Russian; St. Petersburg-based from 1855
Style/Period:  Russian Nationalist (Romantic)
Genre Profile:  212---2000---1101---200---00---120
Quantity of Work Produced:  considerable
Best Known For:  piano (solo, concs.)---symphonic poems & concert overs.---syms.---songs
Notable Works:  . . . Tamara [sym. poem] (1867-82) . . . Islamey: Oriental Fantasy [pf] (1869,r1902) 
Musical Influences:  Berlioz; Chopin; Dargomïzhsky; Glinka; Liszt; R Schumann; Russian folk music
Has Influenced:  -Borodin; -Cui; Glazunov; Ippolitov-Ivanov; -Mussorgsky; RIMSKY-KORSAKOV; Tchaikovsky

54. Barber, Samuel (1910-81) American
Style/Period:  Neoromantic
Genre Profile:  223---2212---2212---211---22---120
Quantity of Work Produced:  considerable
Best Known For:  significant contributor to most main genres
Notable Works:  . . . Dover Beach [songs for solo v & str qtt] Op.3 (1931) . . . Over. to (the Sheridan stage comedy) The School for Scandal [orch.] Op.5 (1931-3) . . . Sonata for Cello & Piano Op.6 (1932) . . . Sym. #1 in One Movement Op.9 (1935-6) . . . Adagio for Strings (from String Quartet #1, Op.11) [orch. arr.] (1936) . . . Essay for Orch. #1 Op.12 (1937) . . . Violin Conc. Op.14 (1939-40) . . . Essay for Orch. #2 Op.17 (1942) . . . Cello Conc. Op.22 (1945) . . . Knoxville: Summer of 1915 [songs for solo v & orch.] Op.24 (1947) . . . Piano Sonata in E flat minor Op.26 (1949) . . . Medea's Meditation & Dance of Vengeance from (the ballet) Medea [orch.] Op.23a (1955) . . . Vanessa [opera] (1957) . . . Piano Conc. Op.38 (1962) . . . Agnus Dei [chorus & org/pf; arr. of Op.11] (1967) 
Musical Influences:  -Brahms; Copland; Debussy; Stravinsky; Romantic Period music
Has Influenced:  Menotti

Barrios Mangoré, Agustín (1885-1944) Paraguayan
Style/Period:  Nationalist (Romantic)
Best Known For:  solo guitar
Notable Works:  . . . Waltzes [guitar] Op.8 (d?) . . . La Catedral [guitar] (1921) . . . Julia Florida [guitar] (1938) 
Musical Influences:  --Sor; Tárrega; folk music; Baroque, Classical & Romantic music
Has Influenced:  Lauro

25. Bartók, Béla (1881-1945) Hungarian; New York-based from 1940
Style/Period:  Hungarian Nationalist (Neoclassical)
Genre Profile:  022---3302---1322---302---22---030
Quantity of Work Produced:  extensive
Best Known For:  piano (solo, w/orch.)---concs.---string quartets---folksong settings---ballets & Duke Bluebeard's Castle (opera)---violin (chamber combs., w/orch.)
Notable Works:  . . . Hungarian folksong arrangements [solo v & pf] (1904-37?) . . . 14 Bagatelles [pf] S38 (1908) . . . String Quartet #1 S40 (1908, r1910) . . . Duke Bluebeard's Castle [opera] S48 (1911) . . . String Quartet #2 S67 (1915-7) . . . 7 Romanian Folk Dances [orch. arr.] S68 (1917) . . . The Miraculous Mandarin [pantomime ballet] S73 (1918-9, 1923, r1924-31; orch. suite 1919, 1927) . . . 2 Sonatas for Violin & Piano S75-6 (1921/1922) . . . Dance Suite [orch.] S77 (1923) . . . Mikrokosmos [6 vols. of pf studies] S107 (1926, 1932-9) . . . String Quartet #3 S85 (1927) . . . Rhapsody #1 for Violin & Piano S86 (1928) . . . String Quartet #4 S91 (1928) . . . Piano Conc. #2 S95 (1930-1) . . . String Quartet #5 S102 (1934) . . . Music for String Instruments, Percussion & Celesta S106 (1936) . . . Sonata for 2 Pianos & Percussion [4 players] S110 (1937) . . . Violin Conc. #2 S112 (1937-8) . . . Divertimento for String Orch. S113 (1939) . . . String Quartet #6 S114 (1939) . . . Conc. for Orch. S116 (1943, r1945) . . . Sonata for Unaccompanied Violin S117 (1944) . . . Piano Conc. #3 S119 (1945) . . . Viola Conc. S120 (1945) 
Musical Influences:  ---JS Bach; --Beethoven; +Berg; Brahms; Debussy; +Kodály; Liszt; -Mussorgsky; Schoenberg; R Strauss; +Stravinsky; Wagner; FOLK MUSIC; Renaissance music
Has Influenced:  Arnold; -Bridge; Britten; Casella; Crawford; CRUMB; Dutilleux; Gerhard; Ginastera; KA Hartmann; HOLMBOE; Husa; [L Kirchner]; Kodály; Kokkonen; Krenek; Kurtág; LIGETI; Lutoslawski; Maderna; Messiaen; Penderecki; Rochberg; Szymanowski; Tippett

Bax, Arnold (1883-1953) British
Style/Period:  Late English Romantic (Celtic revival)
Genre Profile:  222---2212---2212---201---10---120
Quantity of Work Produced:  extensive
Best Known For:  syms. & symphonic poems---chamber music---solo piano
Notable Works:  . . . Piano Quintet in G minor (1915) . . . Tintagel [sym. poem] (1917-9) . . . Piano Sonata #2 in G (1919) 
Musical Influences:  Debussy; Delius; Elgar; Liszt; Ravel; Sibelius; R Strauss; -Wagner; Celtic folk music; Romantic Russian opera & ballet

Beach, Amy Marcy [Mrs. H. H. A.] (1867-1944) American; New York-based from 1914
Style/Period:  Late Romantic (New England school)
Best Known For:  piano (solo, chamber combs., w/orch.)---songs
Notable Work:  . . . Sonata for Violin & Piano in A minor Op.34 (1898)
Musical Influences:  Brahms; Debussy; Dvorák; MacDowell; Wagner; folk themes; Native American themes

3. Beethoven, Ludwig van (1770-1827) German; Vienna-based from 1792
Style/Period:  Late Viennese Classical
Genre Profile:  332---3302---3333---310---23---320
Quantity of Work Produced:  extensive
Best Known For:  syms.---piano (sonatas, chamber combs., concs.)---chamber music (string quartets, violin sonatas, trios, etc.)---overs.---Violin Conc. in D---Fidelio (opera)---Mass in D 'Missa Solemnis'
Notable Works:  . . . Piano Conc. #2 in B flat Op.19 (1793-5, r1798) . . . Piano Conc. #1 in C Op.15 (1795, r1800) . . . Quintet for Piano & Winds in E flat Op.16 (1796) . . . Piano Sonata #8 in C minor 'Pathetique' Op.13 (1797-8?) . . . Septet in E flat [winds & strings] Op.20 (1799-1800) . . . Sym. #1 in C Op.21 (1800) . . . Sonata for Violin & Piano in F 'Spring' Op.24 (1800-1) . . . Piano Conc. #3 in C minor Op.37 (1800?) . . . Piano Sonata #14 in C sharp minor 'Moonlight' Op.27 no.2 (1801) . . . Sym. #2 in D Op.36 (1801-2) . . . Piano Sonata #17 in D minor 'Tempest' Op.31 no.2 (1802) . . . Sonata for Violin & Piano in A minor 'Kreutzer' Op.47 (1802-3) . . . Sym. #3 in E flat 'Eroica' Op.55 (1803) . . . Conc. for Violin, Cello, Piano & Orch. in C Op.56 (1803-4) . . . Piano Sonata #21 in C 'Waldstein' Op.53 (1803-4) . . . Fidelio [opera] Op.72 (1804-5) . . . Piano Sonata #23 in F minor 'Appassionata' Op.57 (1804-5) . . . Leonore Over. #3 (to the opera Fidelio) [orch.] Op.72a (1805-6) . . . Over. to (the opera) Fidelio [orch.] Op.72b (1805) . . . Piano Conc. #4 in G Op.58 (1805-6) . . . String Quartet #7 in F Op.59 no.1 (1805-6) . . . String Quartet #9 in C 'Hero' Op.59 no.3 (1805-6) . . . Sym. #4 in B flat Op.60 (1806) . . . Violin Conc. in D Op.61 (1806) . . . Over. to (the Collin play) Coriolan in C minor [orch.] Op.62 (1807) . . . Sonata for Cello & Piano in A Op.69 (1807-8) . . . Sym. #5 in C minor Op.67 (1807-8) . . . Piano Trio #4 in D 'Ghost' Op.70 no.1 (1808) . . . Sym. #6 in F 'Pastoral' Op.68 (1808) . . . Piano Conc. #5 in E flat 'Emperor' Op.73 (1809) . . . Over. & Incidental Music to (the Goethe play) Egmont [orch.] Op.84 (1809-10) . . . Piano Sonata #26 in E flat 'Les Adieux' Op.81a (1809-10) . . . Piano Trio #7 in B flat 'Archduke' Op.97 (1810-1) . . . Sym. #7 in A Op.92 (1811-2) . . . Sym. #8 in F Op.93 (1812) . . . Sonata for Cello & Piano in D Op.102 no.2 (1815) . . . Piano Sonata #29 in B flat 'Hammerklavier' Op.106 (1817-8) . . . Mass in D 'Missa Solemnis' [4 solo vv, chorus & orch.] Op.123 (1819-23) . . . 33 Variations on a Waltz by Diabelli [pf] Op.120 (1819, 1822-3) . . . Piano Sonata #31 in A flat Op.110 (1821-2) . . . Piano Sonata #32 in C minor Op.111 (1821-2) . . . Sym. #9 in D minor 'Choral' [4 solo vv, chorus & orch.] Op.125 (1822-4) . . . 6 Bagatelles [pf] Op.126 (1823-4) . . . String Quartet #15 in A minor Op.132 (1825) . . . String Quartet #13 in B flat Op.130 (1825-6) . . . Grosse Fuge in B flat [str qtt] Op.133 (1825-6) . . . String Quartet #14 in C sharp minor Op.131 (1826) . . . String Quartet #16 in F Op.135 (1826) 
Musical Influences:  CPE Bach; -JS Bach; Cherubini; Clementi; Gluck; -Handel; J Haydn; Méhul; Mozart; ---Palestrina; Salieri
Has Influenced:  Alkan; ++Bartók; Berlioz; Berwald; +Bizet; ++Bloch; +Boito; +Borodin; +BRAHMS; BRUCKNER; Carulli; Chopin; Czerny; ++Dukas; +Dvorák; Franck; Giuliani; ++Honegger; +Indy; +Ives; +++Kagel; Lalo; Liszt; ++Mahler; ++Medtner; Mendelssohn; Mendelssohn-Hensel; Nicolai; Paganini; +Paine; ++Reger; Reicha; ++Schoenberg; SCHUBERT; C Schumann; R Schumann; ++Shostakovich; ++Sibelius; Spohr; ++Stenhammar; ++Tippett; +++Tower; WAGNER; Weber; ++Webern

51. Bellini, Vincenzo (1801-35) Italian
Style/Period:  Early Italian Romantic (bel canto)
Genre Profile:  002---0020---0001---100---03---220
Quantity of Work Produced:  considerable
Best Known For:  operas---songs
Notable Works:  . . . Conc. for Oboe & Strings in E flat (c1825) . . . La Sonnambula [opera] (1831) . . . Norma [opera] (1831) . . . I Puritani [opera] (1835) 
Musical Influences:  Mayr; -Mozart; --Pergolesi; ROSSINI; folksong
Has Influenced:  Chopin; ++Cilea; -Donizetti; Glinka; Liszt; -Mercadante; -PACINI; Verdi; Wagner

Bennett, Richard Rodney (1936-) British
Style/Period:  Post-Schoenbergian Serial
Best Known For:  works prolifically in all main genres, but especially in stage & screen
Musical Influences:  -Berg; BOULEZ; Walton; jazz; popular song

72. Berg, Alban (1885-1935) Austrian; Vienna-based
Style/Period:  Expressionist to 1925; Serial thereafter
Genre Profile:  022---0202---0211---200---03---020
Quantity of Work Produced:  modest
Best Known For:  significant contributor to most main genres
Notable Works:  . . . songs [solo v & pf/orch.] (1900-12) . . . Piano Sonata Op.1 (1907-8?) . . . String Quartet Op.3 (1910) . . . Three Pieces for Orch. Op.6 (1914-5) . . . Wozzeck [opera] Op.7 (1917-22) . . . Chamber Conc. [vln, pf & 13 wind instrs.] (1923-5) . . . Lyric Suite for String Quartet (1925-6) . . . Lulu [opera] (1929-35) . . . Lulu Symphony [suite for solo v & orch. from the opera] (1934) . . . Violin Conc. 'To the Memory of an Angel' (1935) 
Musical Influences:  Brahms; Debussy; MAHLER; SCHOENBERG; Schreker; -Wagner; jazz
Has Influenced:  Babbitt; -Bartók; +Bennett; -Bridge; Britten; Dallapiccola; Finney; Ginastera; KA Hartmann; Henze; Kagel; Kokkonen; Larsson; Ligeti; Maderna; Perle; Schuller; [E Wellesz]; [BA Zimmermann]

Bergman, Erik (1911-2006) Finnish
Style/Period:  "experimental & eclectic"
Best Known For:  choral & vocal/choral-orchestral music
Musical Influences:  Kokkonen; Sibelius; Webern

Berio, Luciano (1925-2003) Italian
Style/Period:  European Avant-garde
Genre Profile:  012---1222---2211---212---12---22x
Quantity of Work Produced:  considerable
Best Known For:  works for solo player ('Sequenza' series)---music theatre & other works for solo v or vv & instrumental ensemble---chamber music---magnetic tape-based pcs---music on political subjects
Notable Works:  . . . Nones [orch.] (1954) . . . Sequenza I [fl] (1958) . . . Sequenza III [solo female v] (1965) . . . Sequenza V [trombone] (1966) . . . Sinfonia [8 solo vv & orch.] (1968, r1969) 
Musical Influences:  DALLAPICCOLA; -Mahler; +Stockhausen; Stravinsky; folksong
Has Influenced:  Crumb

Berkeley, Lennox (1903-89) British
Style/Period:  French Neoclassical
Best Known For:  solo piano---songs---choral music---chamber music
Notable Work:  . . . Sonatina for Recorder/Flute & Piano Op.13 (1939) 
Musical Influences:  +Britten; Fauré; ---Mozart; Poulenc; Ravel; Stravinsky

29. Berlioz, Hector (1803-69) French; mainly Paris-based from 1821
Style/Period:  Early French Romantic (New German school)
Genre Profile:  332---0201---0001---110---03---330
Quantity of Work Produced:  considerable
Best Known For:  dramatic music for orch.---concert overs.---operas---syms.---sacred vocal/choral-orchestral music---songs---orchestration
Notable Works:  . . . Symphonie Fantastique Op.14 (1830) . . . Harold in Italy [sym. for va & orch.] Op.16 (1834) . . . Benvenuto Cellini [opera] (1834-7) . . . Grande Messe des Morts (Requiem) [solo v, chorus & orch.] Op.5 (1837) . . . Over. to (the opera) Benvenuto Cellini [orch.] Op.23 (1838) . . . Romeo & Juliet ['dramatic symphony' for solo vv, chorus & orch.] Op.17 (1839) . . . Grande Symphonie Funèbre et Triomphale [military band, string orch. & chorus ad lib] Op.15 (1840) . . . Les Nuits d'Été [song cycle for solo v & pf/orch.] Op.7 (1840-1, 1843-56) . . . Roman Carnival Over. [concert over. based on material from the opera Benvenuto Cellini] Op.9 (1844) . . . The Damnation of Faust ['dramatic legend' for 4 solo vv, chorus & orch.] Op.24 (1845-6) . . . Te Deum [solo v, chorus & orch.] Op.22 (1849) . . . L'Enfance du Christ [sacred oratorio for solo v, chorus & orch.] (1850-4) . . . Les Troyens [opera] (1856-8) . . . Béatrice et Bénédict [opera] (1860-2) 
Musical Influences:  Beethoven; -Gluck; [J-F Le Sueur]; Méhul; Reicha; Spontini; Weber
Has Influenced:  Alkan; ++ARNOLD; Balakirev; Borodin; Busoni; Franck; Glinka; Indy; Liszt; Mahler; Mussorgsky; Rimsky-Korsakov; Saint-Saëns; Sibelius; Smetana; Jos Strauss; R Strauss; Tchaikovsky; Wagner

50. Bernstein, Leonard (1918-90) American; mainly New York-based
Style/Period:  American Vernacularist (w/eclectic Neoclassical, Neoromantic & Serial elements)
Genre Profile:  232---0122---1012---200---22---220
Quantity of Work Produced:  considerable
Best Known For:  stage works & derivative orchestral suites---syms.---vocal/choral-orchestral music
Notable Works:  . . . Sym. #1 'Jeremiah' [solo v & orch.] (1943) . . . Fancy Free [ballet] (1944) . . . Sym. #2 'Age of Anxiety' [pf & orch.] (1949) . . . Over. to (the comic operetta) Candide [orch.] (1955-6) . . . Symphonic Dances from (the musical) West Side Story [orch.] (1960) . . . Chichester Psalms [psalm settings for solo v, chorus & orch.] (1965) 
Musical Influences:  Blitzstein; Copland; Gershwin; Ives; -Mahler; Piston; Stravinsky; Thompson; jazz; Hebrew liturgical music
Has Influenced:  Corigliano

Berwald, Franz (1796-1868) Swedish
Style/Period:  Early German Romantic
Best Known For:  syms.---chamber music
Notable Works:  . . . Sym. #1 in G minor 'Sinfonie Sérieuse' (1842) . . . Sym. #3 in C 'Sinfonie Singulière' (1845) 
Musical Influences:  Beethoven; Hummel; +Mendelssohn; Spohr

Biber, Heinrich I. F. von (1644-1704) Bohemian; Salzburg-based from c1670
Style/Period:  Middle Austrian Baroque
Best Known For:  violin sonatas---chamber ensemble pcs---sacred vocal/choral music
Notable Works:  . . . Battalia a 10 in D [strings] (p1673) . . . Mystery (Rosary) Sonatas & Passacaglia [vln & continuo] (c1676)
Musical Influences:  [JH Schmelzer]; French, German & Italian music

Billings, William (1746-1800) American; Boston-based
Style/Period:  "American primitive"
Best Known For:  sacred choral music (hymns, anthems, 'fuging tunes,' etc.)
Musical Influences:  Handel
Has Influenced:  ++Cowell; +++Schuman

Binchois, Gilles (de) (c1400-60) Franco-Flemish; Burgundian court-based
Style/Period:  Early Franco-Flemish Renaissance
Best Known For:  secular songs (chansons)---mass movements & other small-scale sacred vocal music
Musical Influences:  DUNSTABLE; Gregorian chant
Has Influenced:  Ockeghem

Birtwistle, Harrison (Paul) (1934-) British
Style/Period:  Post-Serial, with a modernist core colored by myth, ritual, history & theatre
Best Known For:  operas---chamber music
Musical Influences:  Boulez; Messiaen; Stravinsky; Varese; Webern

37. Bizet, Georges (1838-75) French; Paris-based
Style/Period:  Middle French Romantic
Genre Profile:  232---0000---0002---200---03---120
Quantity of Work Produced:  considerable
Best Known Work:  . . . Sym. #1 in C (1855) . . . The Pearl Fishers [opera] (1863) . . . Jeux d'Enfants [12 pcs for pf 4 hands (also in orch. arr.)] Op.22 (1871) . . . L'Arlésienne Suite #1 [orch. suite from incidental music to the Daudet play] (1872) . . . Carmen [opera] (1873-4; orch. suites #1 & #2 1874) 
Musical Influences:  -Beethoven; Donizetti; GOUNOD; Meyerbeer; --Mozart; Rossini; Verdi; -Weber; Spanish music; Asian & Middle Eastern music
Has Influenced:  Chabrier; -Delibes; Leoncavallo; Massenet; Tchaikovsky

Blacher, Boris (1903-75) German; after 1922 mainly Berlin-based
Best Known For:  concs.---chamber music--ballets
Notable Work:  . . . Variations on a Theme by Niccolo Paganini [orch.] Op.26 (1947)
Musical Influences:  Milhaud; Satie; Stravinsky; jazz

Bliss, Arthur (1891-1975) British; mainly London-based
Style/Period:  Neoromantic
Genre Profile:  222---1201---2202---200---22---220
Quantity of Work Produced:  considerable
Best Known For:  orchestral pcs---film scores---choral music---ballets---brass (orchestral)
Notable Works:  . . . A Colour Symphony (1921-2; r1932) . . . Things to Come [film score & orch. suite] (1934-5) . . . Music for Strings [string orch.] (1935) 
Musical Influences:  Elgar; +Milhaud; ---Purcell; Ravel; Schoenberg; Stanford; Stravinsky; jazz

Blitzstein, Marc (1905-64) American
Style/Period:  American Vernacularist
Best Known For:  dramatic works (for stage, film & radio) featuring political satire & social criticism
Notable Works:  . . . The Cradle Will Rock ["play in music "] (1936-7) 
Musical Influences:  Schoenberg; Stravinsky; WEILL; jazz; popular song
Has Influenced:  Bernstein

Bloch, Ernest (1880-1959) Swiss-American
Style/Period:  Neoclassical (w/Jewish Nationalist & Neoromantic elements)
Genre Profile:  202---2222---2212---212---02---210
Quantity of Work Produced:  modest
Best Known For:  cello (solo, chamber combs., w/orch.)---violin (chamber combs., w/orch.)---music on Jewish subjects---quartets & quintets
Notable Works:  . . . Schelomo: Hebraic Rhapsody for Cello & Orch. (1915-6) . . . String Quartet #1 in B minor (1916) . . . Suite for Viola & Piano [also in va & orch. arr.] (1919) . . . Sonata #1 for Violin & Piano (1920) . . . Piano Quintet #1 (1921-3) . . . Baal Shem [suite for vln & pf] (1923) . . . From Jewish Life [suite for vc & pf] (1924) . . . Concerto Grosso #1 [pf & string orch.] (1924-5) . . . Violin Conc. (1937-8) 
Musical Influences:  --Beethoven; DEBUSSY; Mussorgsky; R Strauss; Wagner; ---Renaissance music; Jewish religious music
Has Influenced:  Sessions; Thompson

Blow, John (1649-1708) British; London-based from 1668
Style/Period:  Middle English Baroque
Best Known For:  odes---anthems---songs---solo keyboard
Notable Works:  . . . Venus & Adonis [masque] (c1682) . . . Ode on the Death of Mr. Henry Purcell [2 solo vv, 2 recorders & basso-continuo] (p1696) 
Musical Influences:  [C Gibbons]; Locke; French & Italian music
Has Influenced:  [W Croft]; PURCELL

105. Boccherini, Luigi (1743-1805) Italian; Spain-based after 1768
Style/Period:  Classical
Genre Profile:  201---1301---3222---000---00---210
Quantity of Work Produced:  extensive
Best Known For:  cello (sonatas, concs.)---string quintets---quintets for guitar & string quartet---syms.---string quartets
Notable Works:  . . . Cello Conc. #7 in G G480 (1770) . . . Minuet from String Quintet #5 in E G275 (1771) . . . Cello Conc. #9 in B flat G482 (c1775?) . . . Quintet for Guitar & Strings #4 in D G448 (1798) . . . syms. G493-8, G503-22 (p1775-92) . . . Sonata for Cello & Continuo #4 in A G4 (d?)
Musical Influences:  J HAYDN; ---Palestrina; Sammartini; J Stamitz; Tartini

Böhm, Georg (1661-1733) German; mainly Lüneberg-based after 1697
Style/Period:  Middle German Baroque
Best Known For:  solo organ & keyboard (espec. chorale partitas, fugues & preludes); sacred vocal/choral music
Musical Influences:  Buxtehude; Froberger
Has Influenced:  JS Bach

Boieldieu, François-Adrien (1775-1834) French; mainly Paris-based from 1796
Style/Period:  Post-Classical
Best Known For:  comic operas
Notable Work:  . . . Harp Conc. in C (1801)
Musical Influences:  Cherubini; Méhul; Mozart; +Rossini
Has Influenced:  ADAM; Halévy

Boismortier, Joseph Bodin de (1689-1755) French
Style/Period:  Late French Baroque (galant)
Best Known For:  chamber music (espec. w/flute or recorder)
Notable Work:  . . . 6 Sonatas for Flute & Keyboard Op.91 (p1741-2) 
Musical Influences:  Italian music

Boito, Arrigo (1842-1918) Italian
Style/Period:  Middle Italian Romantic (w/eclectic French, German & Italian elements)
Best Known For:  operas; also as librettist of Ponchielli's La Gioconda and Verdi's Otello & Falstaff
Notable Work:  . . . Mefistofele [opera] (1868, r1875-8)
Musical Influences:  -Beethoven; Meyerbeer; Verdi; Wagner
Has Influenced:  -Verdi

Bolcom, William (1938-) American
Style/Period:  American Vernacularist (w/eclectic Expressionist, Neoclassical & Neoromantic elements)
Best Known For:  piano rags---chamber music---orchestral pcs---syms.---songs
Musical Influences:  -Joplin; Messiaen; Milhaud; RAGTIME; JAZZ; POPULAR SONG

Bononcini, Giovanni (Battista) (1670-1747) Italian; London-based 1720-32, also for periods in Paris & Vienna
Style/Period:  Late Italian Baroque
Best Known For:  operas---oratorios---cantatas

79. Borodin, Alexander (1833-87) Russian; St. Petersburg-based
Style/Period:  Russian Nationalist (Romantic)
Genre Profile:  332---0000---1311---200---02---020
Quantity of Work Produced:  small
Best Known Work:  . . . songs [solo v & pf] (c1850-c1885) . . . Prince Igor [opera; completed by Glazunov & Rimsky-Korsakov] (1869-70, 1874-87) . . . Sym. #2 in B minor (1869-76) . . . String Quartet #1 in A (1874-9) . . . In (the Steppes of) Central Asia [sym. poem] (1880) . . . String Quartet #2 in D (1881) . . . Sym. #3 in A minor (completed by Glazunov) (1882, 1886-7) . . . Petite Suite [pf] (1885) . . . Over. to (the opera) Prince Igor [orch.; orchestration completed by Glazunov] (1888) . . . Polovtsian Dances from (the opera) Prince Igor [orch.; orchestration completed by Glazunov & Rimsky-Korsakov] (1888) 
Musical Influences:  +Balakirev; -Beethoven; Berlioz; Chopin; Glinka; Liszt; Mendelssohn; +Mussorgsky; R Schumann; folksong; Central Asian music
Has Influenced:  Debussy; Glazunov; Glière; Gretchaninov; +Kabalevsky; +Khachaturian; Rachmaninov; Ravel; +Shostakovich; Sibelius; Stravinsky

Bottesini, Giovanni (1821-89) Italian
Style/Period:  Middle Italian Romantic
Best Known For:  double bass (chamber combs., w/orch.)
Notable Works:  . . . Gran Duo Concertante [vln, double bass & str orch.] (1880) . . . Conc. for Double Bass & Orchestra #2 in B minor (p1950) 
Musical Influences:  Verdi

Boulanger, Lili (1893-1918) French
Style/Period:  Impressionist (Romantic)
Best Known For:  vocal/choral-orchestral music---songs
Notable Work:  . . . Pie Jesu [v, str qtt, harp & org] (1918)
Musical Influences:  Debussy; Fauré; -Wagner

Boulez, Pierre (1925-) French
Style/Period:  European Avant-garde
Genre Profile:  022---0010---2202---201---00---02x
Quantity of Work Produced:  small
Best Known For:  works for solo v or vv & instrumental ensemble---aleatory music---solo piano---orchestral pcs---magnetic tape-based pcs
Notable Works:  . . . Piano Sonata #2 (1948) . . . Le Soleil des Eaux [secular cantata for solo v or vv, chorus & chamber orch.] (1948, r1958 & 1965) . . . Le Marteau sans Maître [secular cantata for solo v & 6 instrs.] (1953-5, r1957) . . . Piano Sonata #3 (1955-7) . . . Pli Selon Pli [song settings of Mallarmé poems for solo v & orch.] (1957-62, r1980s) 
Musical Influences:  Cage; -Debussy; MESSIAEN; Schoenberg; Stravinsky; Varèse; Webern; music of India
Has Influenced:  Birtwistle; BENNETT; -Cage; Holliger; -Ligeti

Bowles, Paul (1910-99) American-Moroccan; Tangier-based from 1947
Best Known For:  stage works (espec. ballets & incidental music)---songs---solo piano
Musical Influences:  +Revueltas

Boyce, William (1711-79) British; London-based
Style/Period:  Pre-Classical
Best Known For:  overs. & syms.---anthems
Notable Works:  . . . Sym. #1 in B flat [arr. by C. Lambert] Op.2 no.1 (p1760) . . . O Where Shall Wisdom be Found? [anthem] (1769?) . . . Voluntary #1 in D [keyb] (p1779) 
Musical Influences:  +JC Bach; Corelli; Handel; French & Italian music

5. Brahms, Johannes (1833-97) German; Hamburg-based to 1862; Vienna-based thereafter
Style/Period:  Middle German Romantic (Neoclassical)
Genre Profile:  303---3302---3333---320---00---330
Quantity of Work Produced:  extensive
Best Known For:  important contributor to most main genres (except ballet & opera)
Notable Works:  . . . songs [solo v & pf] (1851-96) . . . 21 Hungarian Dances (in 4 books) [pf 4 hands] (1852-69) . . . Piano Sonata #3 in F minor Op.5 (1853) . . . Piano Conc. #1 in D minor Op.15 (1854-8) . . . Sym. #1 in C minor Op.68 (1855-76) . . . A German Requiem [cantata/oratorio for 2 solo vv, chorus & orch.] (1857-68) . . . Serenade #1 in D [orch.] Op.11 (1857-8) . . . Serenade #2 in A [small orch.] Op.16 (1858-9, r1875) . . . 25 Variations & Fugue on a Theme by Handel in B flat [pf] Op.24 (1861) . . . Piano Quartet #1 in G minor Op.25 (1861) . . . Piano Quintet in F minor Op.34 (1861-4) . . . 28 Variations on a Theme by Paganini [pf] Op.35 (1862-3) . . . Sonata for Cello & Piano #1 in E minor Op.38 (1862-5) . . . String Sextet #2 in G [2 vlns, 2 va & 2 vc] Op.36 (1864-5) . . . Trio for Horn, Violin & Piano in E flat Op.40 (1865) . . . String Quartet #1 in C minor Op.51 no.1 (1865?-73) . . . Schicksalslied [secular poem setting for chorus & orch.] Op.54 (1868-71) . . . Alto Rhapsody [secular poem setting for solo v, chorus & orch.] Op.53 (1869) . . . 3 Hungarian Dances [orch. arr.] (1873) . . . Variations on a Theme by Haydn in B flat [orch. arr.] Op.56a (1873; also in 2 pf arr. as Op.56b) . . . Sym. #2 in D Op.73 (1877) . . . Violin Conc. in D Op.77 (1878) . . . Piano Conc. #2 in B flat Op.83 (1878-81) . . . 3 sonatas for violin & piano Opp. 78/100/108 (1878-9/1886/1886-8) . . . 2 Rhapsodies for Piano in B minor/G minor Op.79 (1879) . . . Academic Festival Over. in C minor [concert over.] Op.80 (1880) . . . Tragic Over. in D minor [concert over.] Op.81 (1880, r1881) . . . Gesang der Parzen [Goethe text setting for 6-part chorus & orch.] Op.89 (1882) . . . Sym. #3 in F Op.90 (1883) . . . Sym. #4 in E minor Op.98 (1884-5) . . . Piano Trio #3 in C minor Op.101 (1886) . . . Conc. for Violin, Cello & Orch. in A minor Op.102 (1887) . . . Quintet for Clarinet & Strings in B minor Op.115 (1891) . . . Trio for Clarinet, Cello & Piano in A minor Op.114 (1891) . . . 20 piano miniatures Opp. 116-9 (1892) . . . Sonata for Clarinet & Piano in F minor Op.120 no.1 (1894) 
Musical Influences:  --JS Bach; -BEETHOVEN; ---Buxtehude; --Handel; Mendelssohn; --Mozart; -Schubert; C Schumann; R SCHUMANN; ---Schütz; Spohr; folksong; ---Baroque & Renaissance music
Has Influenced:  +Barber; Bartók; Beach; Berg; Bridge; Busoni; DOHNÁNYI; Dvorák; Elgar; Enescu; Fibich; Glazunov; Hindemith; Ireland; +Kokkonen; Mahler; Medtner; Nielsen; PARRY; Pfitzner; REGER; -Reinecke; -C Schumann; Schoenberg; Schreker; STANFORD; Stenhammar; R Strauss; Szymanowski; [E Toch]; Webern; Wolf-Ferrari; Zemlinsky

Bridge, Frank (1879-1941) British
Style/Period:  Late (post-Brahmsian) Romantic to c1918; Impressionist/Expressionist thereafter
Genre Profile:  012---1200---2222---220---11---120
Quantity of Work Produced:  considerable
Best Known For:  chamber music---orchestral pcs---string instr(s). (chamber combs., w/orch., orchestral)
Notable Works:  . . . Suite for String Orch. (1908) . . . The Sea [suite for large orch.] (1910-1) . . . Sonata for Cello & Piano in D minor (1913-7) . . . Piano Trio #2 (1929) 
Musical Influences:  +Bartók; +Berg; Brahms; Delius; Scriabin; Stanford
Has Influenced:  BRITTEN; Clarke

26. Britten, Benjamin (1913-76) British
Style/Period:  Neoclassical
Genre Profile:  222---2201---0212---213---23---230
Quantity of Work Produced:  considerable
Best Known For:  operas---orchestral pcs---vocal/choral-orchestral music---songs---cello (solo, chamber combs., w/orch.)---works for solo player---music for children & amateurs
Notable Works:  . . . secular songs & song cycles [solo v & pf/orch./other accompaniment] (1929-75) . . . Simple Symphony [string orch.] Op.4 (1933-4) . . . Variations on a Theme of Frank Bridge [string orch.] Op.10 (1937) . . . 3 string quartets Opp. 25/36/94 (1941/1945/1975) . . . A Ceremony of Carols [sacred text for treble chorus & harp] Op.28 (1942) . . . Serenade for Tenor, Horn & Strings [songs] Op.31 (1943) . . . Peter Grimes [opera] Op.33 (1944-5) . . . Four Sea Interludes from (the opera) Peter Grimes [orch.] Op.33a (1944-5) . . . The Young Person's Guide to the Orch. [orch.] Op.34 (1946) . . . Spring Symphony [secular cantata for 3 solo vv, choruses & orch.] Op.44 (1949) . . . Billy Budd [opera] Op.50 (1951) . . . Six Metamorphoses after Ovid [oboe] Op.49 (1951) . . . The Turn of the Screw [chamber opera] Op.54 (1954) . . . A Midsummer Night's Dream [opera] Op.64 (1960) . . . War Requiem [sacred & secular texts for 3 solo vv, choruses & orchs.] Op.66 (1961) . . . Cello Symphony [vc & orch.] Op.68 (1963) . . . Nocturnal after John Dowland [guitar] Op.70 (1963) . . . 3 cello suites Opp. 72/80/87 (1964/1967/1972) 
Musical Influences:  Bartók; Berg; BRIDGE; Holst; Ireland; -Mahler; McPhee; ---Purcell; Schoenberg; Stanford; Stravinsky; -Verdi; Walton; gamelan music
Has Influenced:  -Berkeley; -Shostakovich

Brouwer, Leo (1939-) Cuban
Style/Period:  Nationalist to c1964; highly eclectic thereafter (at first Avant-garde, more recently Neoromantic/Impressionist)
Best Known For:  guitar (solo, chamber combs., w/orch.)
Notable Works:  . . . Elogio de la Danza [guitar] (1964) . . . El Decamerón [guitar] (1981) . . . Canción de Cuna 'Berceuse' [guitar] (d?) 
Musical Influences:  Henze; Penderecki; Stockhausen; folk music; African & Cuban music

Bruch, Max (1838-1920) German; Berlin-based after 1891
Style/Period:  Middle German Romantic
Genre Profile:  201---0302---2121---101---02---220
Quantity of Work Produced:  considerable
Best Known For:  violin (w/orch.)---cello (w/orch.)---choral-orchestral music
Notable Works:  . . . Violin Conc. #1 in G minor Op.26 (1866) . . . Kol Nidrei [variations for vc & orch.] Op.47 (1880) . . . Scottish Fantasy [vln & orch.] Op.46 (1880) . . . 8 Pieces [cl, va (or vc) & pf] Op.83 (p1910) 
Musical Influences:  [F Hiller]; Mendelssohn; +Sarasate; R Schumann; folk music
Has Influenced:  Respighi

47. Bruckner, Anton (1824-96) Austrian; Vienna-based from 1868
Style/Period:  Middle German Romantic
Genre Profile:  301---0000---2111---110---00---320
Quantity of Work Produced:  considerable
Best Known For:  syms.---masses---sacred motets
Notable Works:  . . . Ave Maria in F [7 vv] (1861) . . . Mass #2 in E minor [chorus, woodwinds & brass] (1866, r1876 & 1882) . . . Mass #3 in F minor [4 solo vv, chorus & orch.] (1867-8, r1876 & 1881) . . . Locus iste in C [choral gradual] (1869) . . . Sym. #3 in D minor (1873-7, r1888-9) . . . Sym. #4 in E flat 'Romantic' (1874, 1878-80, r1886) . . . Sym. #5 in B flat (1875-6) . . . String Quintet in F (1879) . . . Sym. #7 in E (1881-3) . . . Te Deum in C [4 solo vv, chorus & orch.] (1881-4) . . . Sym. #8 in C minor (1884-7, 1889-90) . . . Sym. #9 in D minor (1891-6) 
Musical Influences:  --JS Bach; BEETHOVEN; -J Haydn; Liszt; Mendelssohn; --Mozart; ---Palestrina; Schubert; WAGNER; ---Renaissance polyphony
Has Influenced:  +KA Hartmann; Mahler; ++Penderecki; Sibelius; Stenhammar

Bruhns, Nicolaus (1665-97) German; North Germany-based
Style/Period:  Middle German Baroque
Best Known For:  solo organ---sacred cantatas
Notable Works:  . . . Prelude & Fugue in E minor #1 [org] (d?) . . . Prelude & Fugue in E minor #2 [org] (d?) 
Musical Influences:  BUXTEHUDE

Bull, John (c1562-1628) British; South Netherlands-based from 1613
Style/Period:  Late English Renaissance
Best Known For:  solo keyboard
Musical Influences:  Byrd; Tallis
Has Influenced:  Sweelinck

101. Busoni, Ferruccio (1866-1924) Italian-German
Style/Period:  Late Romantic (w/German Neoclassical tendencies)
Genre Profile:  022---2110---1212---210---02---220
Quantity of Work Produced:  extensive
Best Known For:  piano (solo, w/orch., piano arrs. of J.S. Bach & other composers' works)---operas---chamber music
Notable Works:  . . . Piano Conc. in C [w/male chorus] Op.39 (1903-4) . . . Doktor Faust [opera] (1916-24) . . . Turandot [opera] (1917) . . . Sonatina #6 'Fantasia da Camera sur Carmen' [pf] (1920) 
Musical Influences:  ---JS BACH; Berlioz; Brahms; LISZT; --Mozart; Rubinstein; Verdi
Has Influenced:  Dallapiccola; Grainger; Hába; Maderna; Malipiero; Schoenberg; -Sibelius; Varèse; Weill; Wolpe

Butterworth, George (1885-1916) British
Style/Period:  English Nationalist
Best Known For:  songs & song cycles---orchestral pcs
Notable Works:  . . . A Shropshire Lad [song cycle for solo v & pf] (1911) . . . A Shropshire Lad [rhapsody for orch.] (1912) . . . The Banks of Green Willow [idyll for orch.] (1913) 
Musical Influences:  --R Schumann; Stanford; Vaughan Williams; ENGLISH FOLKSONG

100. Buxtehude, Dieterich (1637-1707) Danish-German; Lubeck-based from 1668
Style/Period:  Middle German Baroque
Genre Profile:  [not used]
Quantity of Work Produced:  extensive
Best Known For:  solo organ---sacred cantatas & choral music---trio sonatas
Notable Works:  . . . Chaconne in E minor [org] Bx160 (before 1700) . . . Passacaglia in D minor [org] Bx161 (before 1700) . . . Prelude & Fugue in D [org] Bx139 (before 1700) . . . sacred cantatas [v or vv & 2 to 8 or 9 instrs.] (before 1700) 
Musical Influences:  Frescobaldi; Froberger; Monteverdi; Scheidemann; Scheidt; Schütz; -Sweelinck; French & Italian music
Has Influenced:  JS BACH; +++Brahms; BRUHNS

71. Byrd, William (1543-1623) British
Style/Period:  Late English Renaissance
Genre Profile:  [not used]
Quantity of Work Produced:  extensive
Best Known For:  masses---solo keyboard---sacred motets---anthems---sacred & secular songs---consort music---madrigals
Notable Works:  . . . Mass for Four Voices [unacc. vv] (c1592-3) . . . Mass for Five Voices [unacc. vv] (c1595) . . . Great Service in F [2 choruses of 5 vv each] (before 1600) . . . Pavane & Galliard in A minor #2 'Earl of Salisbury' [keyb] (before 1600) . . . secular (consort) songs [3-6 vv, some acc. by viols] (before 1600) . . . Ave verum corpus [sacred motet for 4 vv] (p1605) . . . In dulci jubilo in G [chorale prelude for org] (d?) 
Musical Influences:  [A Ferrabosco I]; Lasso; TALLIS; Taverner
Has Influenced:  Bull; GIBBONS; MORLEY; Sweelinck; TOMKINS; Weelkes

Cabezón, Antonio de (c1500-66) Spanish
Style/Period:  Middle Spanish Renaissance
Best Known For:  solo organ
Notable Work:   . . . Pavana con su glosa [org] (p1578)
Musical Influences:  Josquin
Has Influenced:  Byrd; Sweelinck

Caccini, Giulio (c1550-1618) Italian; Florence & Rome-based
Style/Period:  Early Italian Baroque
Best Known For:  songs---madrigals---operas
Notable Work:   . . . Amarilli Mia Bella [song] (p1602)

59. Cage, John (1912-92) American; mainly California & New York-based
Style/Period:  American Avant-garde
Genre Profile:  012---2001---2222---212---10---02x
Quantity of Work Produced:  considerable
Best Known For:  aleatory music---works accenting use of time, space and silence---solo piano, espec. prepared piano---chamber music---magnetic tape-based pcs---percussion (chamber combs.)---solo voice
Notable Works:  . . . Third Construction [perc quartet] (1941) . . . Amores [2 prepared pf & 2 perc trios] (1943) . . . Sonatas & Interludes [prepared pf] (1946-8) . . . Conc. for Prepared Piano & Chamber Orch. (1951) . . . Atlas Eclipticalis [any combination of up to 86 instrs.] (1961-2) . . . Five [5 vv or 5 instrs.] (1988) 
Musical Influences:  +Boulez; Cowell; +Feldman; +Harrison; Ives; Satie; Schoenberg; Varèse; Webern; MUSIC OF INDIA; chance events; silence
Has Influenced:  Boulez; [E Brown]; Crumb; FELDMAN; Glass; Harrison; Kagel; Lutoslawski; Maderna; Oliveros; Reich; Riley; Stockhausen; Takemitsu; Wolff; [La Young]

Caldara, Antonio (1670/1 - 1736) Italian; until 1716 Venice- & Rome-based; thereafter in Vienna
Style/Period:  Late Italian Baroque
Best Known For:  cantatas---oratorios---arias

Campion, Thomas (1567-1620) British
Style/Period:  Late English Renaissance
Best Known For:  lute songs (ayres)---masques
Notable Works:  . . . five books of ayres (publ. 1601-17)
Musical Influences:  Dowland; French & Italian music

Canteloube de Malaret, (Marie-)Joseph (1879-1957) French
Style/Period:  French Nationalist
Best Known For:  songs
Notable Work:  . . . Chants d'Auvergne [4 vol. song collection for solo v & orch./pf] (1923-30) 
Musical Influences:  FOLKSONG

Carissimi, Giacomo (1605-74) Italian; Rome-based
Style/Period:  Middle Italian Baroque
Best Known For:  sacred oratorios & cantatas
Musical Influences:  Monteverdi; [L Rossi]
Has Influenced:  [A Cesti]; M-A CHARPENTIER; F Couperin; +Handel; Lully; A SCARLATTI

Carpenter, John Alden (1876-1951) American; Chicago-based
Style/Period:  Impressionist (American Vernacularist)
Best Known For:  orchestral pcs---songs
Notable Works:  . . . Adventures in a Perambulator [suite for orch.] (1915) . . . Krazy Kat ["jazz pantomime" for orch.] (1921, r1940) 
Musical Influences:  Debussy; Elgar; Ravel; JAZZ; RAGTIME; POPULAR SONG

110. Carter, Elliott (1908-) American
Style/Period:  French Neoclassical to c1950; Serial (Expressionist) thereafter
Genre Profile:  212---2122---2222---202---21---120
Quantity of Work Produced:  considerable
Best Known For:  concs.---string quartets---sonatas
Notable Works:  . . . Piano Sonata (1945-6, r1982) . . . The Minotaur [ballet] (1947) . . . String Quartet #1 (1950-1) . . . Variations [orch.] (1954-5) . . . String Quartet #2 (1959) . . . Double Conc. [pf, hpschd & 2 chamber orchs.] (1961) . . . Piano Conc. (1964-5) . . . String Quartet #3 (1971) 
Musical Influences:  Copland; Hindemith; Ives; +Nancarrow; Piston; Schoenberg; Stravinsky; Varèse; ---Medieval, Renaissance & Baroque music
Has Influenced:  Zwilich

Carulli, Ferdinando (1770-1841) Italian; Paris-based from 1808
Style/Period:  Post-Classical
Best Known For:  guitar (solo, chamber combs.)
Musical Influences:  Beethoven; Mozart; +Rossini; cello & violin music

Casella, Alfredo (1883-1947) Italian
Style/Period:  Impressionist to c1920; Neoclassical thereafter
Best Known For:  chamber music---concs.---orchestral pcs---piano (solo, 2 players)
Notable Work:  . . . Paganiniana [orch.] Op.65 (1942)
Musical Influences:  Bartók; Debussy; Fauré; Mahler: Ravel; Schoenberg; R Strauss; Stravinsky; Italian Baroque music
Has Influenced:  Dallapiccola; -Malipiero; PETRASSI

Castelnuovo-Tedesco, Mario (1895-1968) Italian-American
Style/Period:  Neoromantic
Genre Profile:  022---1221---2112---212---22---220
Quantity of Work Produced:  extensive
Best Known For:  guitar (solo, chamber combs., w/orch.)---solo piano---songs---film scores---Shakespeare overs.
Notable Works:  . . . 33 Shakespeare Songs [solo v & pf] Op.24 (1921-5) . . . Guitar Conc. in D Op.99 (1939) 
Musical Influences:  Debussy; Pizzetti; Puccini; Ravel; Respighi; R Strauss

Cavalli, (Pietro [Pier]) Francesco (1602-76) Italian; Venice-based
Style/Period:  Early Italian Baroque (Venetian school)
Best Known For:  operas---vocal church music
Musical Influences:  G Gabrieli; MONTEVERDI
Has Influenced:  Lully; Purcell; A Scarlatti

Chabrier, Emmanuel (1841-94) French; mainly Paris-based from 1856
Style/Period:  Late French Romantic
Genre Profile:  022---0010---0001---200---02---020
Quantity of Work Produced:  modest
Best Known For:  orchestral pcs---operas---solo piano---songs
Notable Works:  . . . 10 Pièces Pittoresques [pf] (1881) . . . España [rhapsody for orch.] (1883) . . . Gwendoline [opera] (1885) . . . Le Roi Malgré Lui [opera] (1887) . . . Joyeuse Marche [orch.] (1888) . . . Bourrée Fantasque [pf] (1891) 
Musical Influences:  Bizet; WAGNER; Spanish music
Has Influenced:  Debussy; +Françaix; Ibert; +Poulenc; RAVEL; SATIE

Chadwick, George Whitefield (1854-1931) American; Boston-based from 1880
Style/Period:  Late Romantic (New England school)
Best Known For:  orchestral pcs
Notable Work:  . . . Melpomene [concert over. for orch.] (1887)

Chaminade, Cécile (Louise Stéphanie) (1857-1944) French
Style/Period:  Late Romantic
Best Known For:  piano (solo, chamber combs.)---songs
Notable Works:  . . . Serenade Espagnole [pf] . . . Concertino for Flute and Orchestra Op.107 (1902)
Musical Influences:  Saint-Saëns

Charpentier, Gustave (1860-1956) French; mainly Paris-based from c1881
Style/Period:  Late French Romantic (verismo)
Best Known Work:  . . . Louise [opera] (1900)
Musical Influences:  Gounod; Massenet; Wagner

Charpentier, Marc-Antoine (1643-1704) French; Paris-based
Style/Period:  Middle French Baroque
Genre Profile:  [not used]
Quantity of Work Produced:  extensive
Best Known For:  sacred vocal music (masses, motets, oratorios, psalm settings)---stage works
Notable Works:  . . . Te Deum [8/4 solo vv, chorus & orch.] H146 (1692?) . . . Medée [opera] H491 (1693) 
Musical Influences:  CARISSIMI; Lully; Italian music
Has Influenced:  F Couperin; Lalande

Chausson, Ernest (1855-99) French; mainly Paris-based
Style/Period:  Late (post-Wagnerian) French Romantic
Genre Profile:  222---0200---2222---100---02---120
Quantity of Work Produced:  modest
Best Known Work:  . . . songs [solo v & pf] (1878-98) . . . Sym. in B flat Op.20 (1889-90) . . . Concert for Violin, Piano & String Quartet in D Op.21 (1889-91) . . . Poème [vln & orch.] Op.25 (1896) 
Musical Influences:  ---F Couperin; +Debussy; Franck; Massenet; WAGNER; German Romantics
Has Influenced:  Debussy

Chávez (y Ramírez), Carlos (1899-1978) Mexican; mainly Mexico City-based
Style/Period:  Mexican Nationalist/Neoclassical
Best Known For:  syms.
Notable Works:  . . . Sym. #1 'Sinfonía de Antígona' (1933) . . . Sym. #2 'Sinfonía India' (1935-6) 
Musical Influences:  Ponce; --R Schumann; Stravinsky; Mexican Native American music

Cherubini, Luigi (1760-1842) Italian-French; Paris-based from 1786
Style/Period:  Post-Classical
Genre Profile:  232---0010---2200---120---13---320
Quantity of Work Produced:  extensive
Best Known For:  operas & opera overs.---masses---chamber music
Notable Works:  . . . Medée [opera] (1797) . . . Les Deux Journées [opera] (1800) . . . Over. to (the opera-ballet) Anacréon [orch.] (1803) . . . Requiem Mass #1 in C minor [4 vv & orch.] (1816) . . . Requiem Mass #2 in D minor [3 vv & orch.] (1836) 
Musical Influences:  GLUCK; J Haydn; +Méhul; Mozart; Piccinni; Salieri; +Spontini
Has Influenced:  Auber; Beethoven; Boieldieu; Halévy; Kuhlau; Spohr; Spontini; Weber

10. Chopin, Fryderyk (1810-49) Polish-French; mainly Paris-based from 1831
Style/Period:  Early French Romantic (Paris virtuoso school) w/Polish Nationalist tendencies
Genre Profile:  000---3000---0012---300---00---020
Quantity of Work Produced:  considerable
Best Known For:  piano (solo, chamber combs., w/orch.)
Notable Works:  . . . over 60 mazurkas [pf] (1820-49) . . . 19 waltzes [pf] (1827-48) . . . Piano Conc. #2 in F minor Op.21 (1829-30) . . . 12 Etudes [pf] Op.10 (1829-32) . . . Piano Conc. #1 in E minor Op.11 (1830) . . . Nocturne #2 in E flat [pf] Op.9 no.2 (1830-1) . . . Andante Spianato in G & Grande Polonaise in E flat [pf & orch.] Op.22 (1830-1, 1834) . . . Ballade #1 in G minor [pf] Op.23 (1831-5) . . . 12 Etudes [pf] Op.25 (1832-6) . . . Nocturne #8 in D flat [pf] Op.27 no.2 (1835) . . . 24 Preludes [pf] Op.28 (1836-9) . . . Polonaise #3 in A 'Military' [pf] Op.40 no.1 (1838) . . . Piano Sonata #2 in B flat minor Op.35 (1839) . . . Ballade #3 in A flat [pf] Op.47 (1840-1) . . . Fantasie in F minor [pf] Op.49 no.1 (1841) . . . Ballade #4 in F minor [pf] Op.52 (1842) . . . Polonaise #6 in A flat 'Heroique' [pf] Op.53 (1842) . . . Nocturne #16 in E flat [pf] Op.55 no.2 (1843) . . . Piano Sonata #3 in B minor Op.58 (1844) . . . Barcarolle in F sharp [pf] Op.60 (1845-6) . . . Sonata for Cello & Piano in G minor Op.65 (1845-6) 
Musical Influences:  --JS Bach; Beethoven; Bellini; Clementi; Field; Hummel; -Mozart; Paganini; Rossini; Weber; folk music
Has Influenced:  +Albéniz; ALKAN; +Arensky; Balakirev; Borodin; Cui; +Debussy; +Delius; Dvorák; +Falla; Fauré; Franck; -Glinka; Gottschalk; +Granados; Grieg; -JPE Hartmann; Liszt; ++Lutoslawski; +Lyadov; -Mendelssohn-Hensel; ++Mompou; +Paderewski; +Rachmaninov; ++Ravel; +Reger; Rubinstein; Saint-Saëns; +SCRIABIN; Smetana; ++Szymanowski; Tchaikovsky; Wagner; Wieniawski

Cilea, Francesco (1866-1950) Italian
Style/Period:  Late Italian Romantic (verismo)
Best Known For:  operas
Notable Works:  . . . L'Arlesiana [opera] (1903), incl. 'Lamento di Federico' [aria] . . . Adriana Lecouvreur [opera] (1902) 
Musical Influences:  --Bellini

Cimarosa, Domenico (1749-1801) Italian; mainly Naples-based
Style/Period:  Classical
Genre Profile:  020---1012---1100---220---03---220
Quantity of Work Produced:  extensive
Best Known For:  comic operas---keyboard sonatas---concs.---masses
Notable Works:  . . . Il Matrimonio Segreto [opera] (1792) . . . Sinfonia Concertante for 2 Flutes & Orch. in G (1793) . . . Conc. for Oboe & Strings in C (1942 arr. by A. Benjamin) 
Musical Influences:  J Haydn; +Mozart; Piccinni; [A Sacchini]
Has Influenced:  Mozart; Rossini

Clarke, Rebecca (1886-1979) British
Best Known For:  viola (chamber combs.)---songs
Notable Work:  . . . Sonata for Viola and Piano (1919)
Musical Influences:  Bridge, Debussy

Clemens non Papa [Clement, Jacob] (c1513 - 1555/6) Franco-Flemish
Style/Period:  Middle Franco-Flemish Renaissance
Best Known For:  masses---psalm settings---sacred motets---chansons
Musical Influences:  Josquin
Has Influenced:  Byrd; Lasso

Clementi, Muzio (1752-1832) Italian-British; mainly London-based from c1766
Style/Period:  Post-Classical (London piano school)
Best Known For:  keyboard (piano) sonatas---syms.
Notable Works:  . . . Keyboard Sonata in F minor Op.13 no.6 (1785) . . . Keyboard Sonata in F sharp minor Op.25 no.5 (1790) 
Musical Influences:  -JS Bach; J Haydn; +Mozart; D Scarlatti
Has Influenced:  Beethoven; Czerny; Field; Hummel; Kuhlau

Clérambault, Louis-Nicolas (1676-1749) French; Paris-based
Style/Period:  Late French Baroque
Best Known For:  solo organ & harpsichord---chamber music---motets & French cantatas
Notable Work:  . . . Livre d'Orgue [album of works for org] (p1704) 
Musical Influences:  Corelli

Coleridge-Taylor, Samuel (1875-1912) British; London-based
Style/Period:  Late Romantic
Best Known For:  vocal/choral-orchestral music---orchestral pcs---chamber music
Notable Work:  . . . The Song of Hiawatha [secular cantata for 3 solo vv, chorus & orch.] Op.30 (1898-1900) 
Musical Influences:  DVORÁK; Grieg; Stanford; traditional African-American music (spirituals, etc.)
Has Influenced:  Still

31. Copland, Aaron (1900-90) American; mainly New York-based
Style/Period:  French Neoclassical with American Vernacularist tendencies, turning American Nationalist c1935-c1955
Genre Profile:  232---2020---2212---210---32---120
Quantity of Work Produced:  considerable
Best Known For:  ballets & film scores and derivative orchestral suites---orchestral pcs---syms.---songs---solo piano---concs.
Notable Works:  . . . Piano Variations [pf] (1930) . . . El Salon Mexico [orch.] (1933-6) . . . Billy the Kid [ballet & orch. suite] (1938) . . . Quiet City [English horn, trumpet & string orch. arr.; from incidental music to the I. Shaw play] (1939) . . . Piano Sonata (1939-41) . . . Fanfare for the Common Man [brass & perc] (1942) . . . Lincoln Portrait [spoken word & orch.] (1942) . . . Rodeo: Four Dance Episodes (from the ballet) [orch.] (1942) . . . Appalachian Spring [ballet] (1943-4; orch. suite 1945) . . . Sym. #3 (1944-6) . . . Clarinet Conc. (1947-8) . . . The Red Pony [film score & orch. suite] (1948) . . . 12 Poems of Emily Dickinson [solo v & pf] (1949-50) . . . Old American Songs (2 sets) [solo v & pf/orch.] (1950/1952) . . . The Tender Land [opera] (1952-4) . . . Duo [fl & pf] (1971) 
Musical Influences:  Debussy; Gershwin; Milhaud; Schoenberg; Scriabin; Stravinsky; Thomson; NORTH & LATIN AMERICANA; jazz
Has Influenced:  Barber; Bernstein; Carter; Corigliano; Druckman; Foss; Rorem

94. Corelli, Arcangelo (1653-1713) Italian; Rome-based from c1675
Style/Period:  Late Italian Baroque
Genre Profile:  [not used]
Quantity of Work Produced:  small
Best Known For:  concerti grossi---trio sonatas---violin sonatas
Notable Works:  . . . 12 Trio Sonatas [2 vlns & continuo] Op.2 (p1685) . . . 12 Trio Sonatas [2 vlns & continuo] Op.3 (p1689) . . . Sonata for Violin & Continuo 'La Folia' Op.5 no.12 (p1700) . . . Concerto Grosso for 2 Violins, Viola & String Orch. in G minor 'Christmas' Op.6 no.8 (p1714) 
Musical Influences:  Lully; Stradella; 'Bologna school' [e.g. G Vitali]
Has Influenced:  Albinoni; Boyce; Clérambault; F COUPERIN; Fux; [F Gasparini]; GEMINIANI; HANDEL; Leclair; Locatelli; +++Martinu; MUFFAT; -Pasquini; Pergolesi; A Scarlatti; D Scarlatti; -Stradella; Tartini; TELEMANN; Vivaldi

Corigliano, John (1938-) American; New York-based
Style/Period:  Neoromantic
Best Known For:  syms.---stage works---concs.
Notable Works:  . . . The Ghosts of Versailles [opera] (1987) . . . Sym. #1 (1990) . . . The Red Violin [film score] (1997) 
Musical Influences:  Bernstein; Copland; ---Mozart

108. Couperin, François (1668-1733) French; Paris-based
Style/Period:  Late French Baroque (w/eclectic French & Italian elements)
Genre Profile:  000---0000---2221---030---00---210
Quantity of Work Produced:  extensive
Best Known For:  solo harpsichord---chamber music---sacred motets---solo organ
Notable Works:  . . . Pièces d'Orgues [2 masses for org] (p1690) . . . Leçons de Ténèbres [3 sacred services for solo v & continuo (#1 & #2) & 2 solo vv (#3)] (1713-7) . . . Pièces de Clavecin [4 books of hpschd miniatures] (p1713-30) . . . 4 Concerts Royaux [vln, fl, oboe, viol & bassoon (or for solo hpschd)] (p1722) . . . 10 Nouveaux Concerts [instrumentation unspecified] (p1724) . . . Les Nations [trio sonatas & suites for 2 vlns & continuo] (p1726) . . . Pièces de Violes [2 suites for viola da gamba & continuo] (p1728) 
Musical Influences:  Carissimi; M-A Charpentier; CORELLI; Lalande; Lully
Has Influenced:  JS Bach; +++Chausson; +++Debussy; +++Ravel; Telemann

Couperin, Louis (1626-61) French; mainly Paris-based
Style/Period:  Middle French Baroque
Best Known For:  solo harpsichord---solo organ
Notable Works:  . . . Pièces de Clavecins [5 books of solo hpschd pcs] (d?) 
Musical Influences:  [J Chambonnières]; Froberger
Has Influenced:  -Froberger

Cowell, Henry (1897-1965) American
Style/Period:  Experimentalist/Exoticist
Genre Profile:  212---2122---2222---212---00---120
Quantity of Work Produced:  immense
Best Known For:  solo piano---syms.---choral music---orchestral pcs---chamber music
Notable Works:  . . . String Quartet #3 'Mosaic' (1935) . . . Sym. #11 'Seven Rituals of Music' (1953-4) 
Musical Influences:  IVES; [C Seeger]; East Asian music; folk music & fuguing tunes
Has Influenced:  Cage; Crawford; Crumb; Harrison; Nancarrow

Crawford (Seeger), Ruth (1901-53) American
Style/Period:  Experimentalist
Notable Work:  . . . String Quartet (1931)
Musical Influences:  Bartók; Cowell; Scriabin; [C Seeger]

Creston, Paul (1906-85) American
Style/Period:  Neoromantic
Best Known For:  orchestral pcs---concs.
Musical Influences:  Stravinsky

Crumb, George (1929-) American
Style/Period:  Mystical
Genre Profile:  002---0000---1222---212---00---12x
Quantity of Work Produced:  modest
Best Known For:  vocal-orchestral music (settings of verse by Lorca)---orchestral pcs---music for electric piano & other amplified instrs.
Notable Works:  . . . Cello Sonata [unacc. vc] (1955) . . . Ancient Voices of Children [song cycle for 2 solo vv & 7 instrs.] (1970) . . . Makrokosmos I & II [2 vols. of works for amplified pf] (1972-3) . . . Makrokosmos III 'Music for a Summer Evening' [2 amplified pf & 2 percussionists] (1974) 
Musical Influences:  BARTÓK; Berio; Cage; Cowell; -Debussy; Finney; Ives; -Mahler; Webern; Viennese music tradition

Cui, Cesar (1835-1918) Russian; mainly St. Petersburg-based from 1851
Style/Period:  Middle Russian Romantic
Best Known For:  solo piano---songs---operas---orchestral pcs
Notable Work:  . . . Kaleydoskop #9 'Orientale' [vln & pf] Op.50 no.9 (1893) 
Musical Influences:  +Balakirev; Chopin; R Schumann; 19th Century opera

Czerny, C[K]arl (1791-1857) Austrian; Vienna-based
Style/Period:  Post-Classical (Viennese Classical)
Best Known For:  piano (solo, multiple players), incl. arrs. of other composers' works and exercises & studies
Musical Influences:  Beethoven; Clementi; Hummel
Has Influenced:  Liszt

Dallapiccola, Luigi (1904-75) Italian; mainly Florence-based from 1922
Style/Period:  Neoclassical to c1940; Post-Webernian Serial thereafter
Best Known For:  operas---vocal/choral-orchestral music
Notable Work:  Ulisse [opera] (1960-8)
Musical Influences:  Berg; Busoni; Casella; Debussy; ---Gesualdo; Malipiero; ---Monteverdi; Schoenberg; Webern
Has Influenced:  BERIO; Finney

Danzi, Franz (1763-1826) German
Style/Period:  Classical (Mannheim school)
Best Known For:  chamber music---concs.---woodwinds (chamber combs., w/orch.)
Notable Work:  . . . Wind Quintet in G minor Op.56 no.2 (1821) 
Musical Influences:  +Reicha; [G Vogler]; +Weber
Has Influenced:  Weber

Dargomïzhsky, Alexander (1813-69) Russian
Style/Period:  Middle Russian Romantic
Best Known For:  operas---songs---orchestral pcs
Notable Works:  . . . Rusalka [opera] (1848-55) . . . songs [solo v & pf] (early 1830s-c1866) 
Musical Influences:  Auber; Glinka; Meyerbeer; Rossini; folksong
Has Influenced:  Balakirev; Mussorgsky; Rimsky-Korsakov

Davidovsky, Mario (1934-) Argentinian-American
Style/Period:  Post-Webernian Serial (Avant-garde)
Best Known For:  magnetic tape-based pcs
Notable Works:  . . . 'Synchronism' series [8 works for instrs. & magnetic tape] (1963-74) 
Musical Influences:  Babbitt '

Davies, Peter Maxwell (1934-) British; Orkney-based from 1970
Style/Period:  Serial & highly varied, with Expressionist & Neomedieval elements to c1975 but an increasingly Neoromantic emphasis thereafter
Genre Profile:  222---0222---2112---212---12---22x
Quantity of Work Produced:  extensive
Best Known For:  works productively in all main genres, incl. music for children & amateurs
Notable Works:  . . . Sinfonia [chamber orch.] (1962) . . . Taverner [opera] (1962-8) . . . Eight Songs for a Mad King [music theatre for solo v & approximately 8 instrumentalists] (1969) . . . Farewell to Stromness [pf] (1980) . . . Strathclyde concertos [continuing series of concertos] (1987-) 
Musical Influences:  -Mahler; Messiaen; ---Monteverdi; Schoenberg; Sibelius; ---Taverner; Webern; ---Medieval music; ---Elizabethan/Tudor & Baroque music

14. Debussy, Claude (1862-1918) French; Paris-based
Style/Period:  Impressionist
Genre Profile:  023---2120---0223---302---23---030
Quantity of Work Produced:  considerable
Best Known For:  piano (solo, chamber combs.)---orchestral pcs---songs & song cycles---chamber music---ballets---harp (chamber combs., w/orch.)---Pelléas et Mélisande (opera)---orchestration
Notable Works:  . . . songs [solo v & pf] (c1879-1915) . . . 2 Arabesques [pf] (1888-91) . . . Clair de Lune (from 'Suite Bergamasque') [pf] (1890, r1905) . . . Prelude to the Afternoon of a Faun [sym. poem] (1892-4) . . . String Quartet in G minor Op.10 (1893) . . . Pelléas et Mélisande [opera] (1893-5, 1901-2) . . . Chansons de Bilitis [song cycle for solo v & pf] (1897-8) . . . 3 Nocturnes [orch. (#1 & #2) and orch. & chorus (#3)] (1897-9) . . . Estampes [pf suite] (1903) . . . La Mer, Three Symphonic Sketches (1903-5) . . . Danse Sacrée et Danse Profane [harp & string orch.] (1904) . . . Images (2 sets) [pf] (1905/1907; orch. suite 1905-12) . . . Children's Corner [suite of 6 works for pf] (1906-8), incl. 'Golliwog's Cakewalk' . . . Preludes, Book 1 [pf] (1909-10) . . . Jeux [ballet] (1912-3) . . . Preludes, Book 2 [pf] (1912-3) . . . Syrinx [fl] (1913) . . . 12 Etudes [pf] (1915) . . . Sonata for Cello & Piano in D minor (1915) . . . Sonata for Flute, Viola & Harp (1915) . . . Sonata for Violin & Piano in G minor (1916-7) 
Musical Influences:  Albéniz; Borodin; Chabrier; Chausson; -Chopin; ---F Couperin; +Dukas; Fauré; Gounod; Lalo; Liszt; Massenet; Mussorgsky; --Rameau; +Ravel; +Satie; Wagner; gamelan & other East Asian music; French Renaissance music
Has Influenced:  Alain; -Albéniz; Barber; Bartók; Bax; Beach; Berg; BLOCH; Boulanger; +Boulez; Carpenter; Casella; Castelnuovo-Tedesco; -Chausson; Clarke; Copland; +Crumb; Dallapiccola; Delius; Dukas; Dutilleux; Enescu; Falla; GRIFFES; Hindemith; Honegger; Ibert; Ireland; Jolivet; Jongen; Karg-Elert; KODÁLY; Koechlin; Kokkonen; +Kolb; +Ligeti; -Loeffler; Lutoslawski; Malipiero; Martin; MARTINU; Mascagni; Messiaen; Milhaud; Mompou; Novák; Orff; Pierné; [W Pijper]; Pizzetti; Poulenc; Prokofiev; -Puccini; Ravel; Reger; Respighi; Rodrigo; +Rorem; ROUSSEL; Ruggles; Satie; Schreker; Scriabin; Stravinsky; Szymanowski; +TAKEMITSU; Turina; Varèse; Villa-Lobos; 'New Age' music

Delibes, (C.P.) Léo (1836-91) French; Paris-based from 1847
Style/Period:  Middle French Romantic
Genre Profile:  020---0000---0001---100---32---120
Quantity of Work Produced:  considerable
Best Known For:  ballets & operas, & derivative orchestral suites
Notable Works:  . . . Coppélia [ballet] (1870; orch. suite 1883?) . . . Sylvia [ballet] (1876; orch. suite 1880?) . . . Lakmé [opera] (1883) . . . Les Filles de Cadix ["chanson espagnole"] (d?) 
Musical Influences:  ADAM; +Bizet; Meyerbeer; Asian music
Has Influenced:  Elgar; Tchaikovsky

91. Delius, Frederick (1862-1934) British
Style/Period:  Late Romantic (Impressionist)
Genre Profile:  023---2201---0102---110---02---020
Quantity of Work Produced:  considerable
Best Known For:  symphonic poems & other orchestral pcs---songs & song cycles---choral-orchestral music---stage works
Notable Works:  . . . Sea Drift [Whitman settings for solo v, chorus & orch.] (1903-4) . . . Brigg Fair (An English Rhapsody) [variations for orch.] (1907) . . . Interlude from (the lyric drama) A Village Romeo & Juliet [orch.] (1907) . . . In a Summer Garden [rhapsody for orch.] (1908, r1909) . . . A Song of the High Hills [chorus & orch.] (1911) . . . Summer Night on the River [sym. poem for small orch.] (1911) . . . On Hearing the First Cuckoo in Spring [sym. poem for small orch.] (1912) . . . North Country Sketches [suite for orch.] (1913-4) . . . Violin Conc. (1916) 
Musical Influences:  -Chopin; Debussy; Grieg; WAGNER; folk music
Has Influenced:  Bax; Bridge; Grainger; Moeran; WARLOCK

Dello Joio, Norman (1913-2008) American
Style/Period:  Neoromantic
Best Known For:  orchestral pcs---operas---music on religious subjects
Musical Influences:  HINDEMITH; jazz; popular song; Gregorian chant; 19th Century Italian opera

Desprez, Josquin [see under 'Josquin Desprez']

Diamond, David (1915-2005) American
Style/Period:  Neoromantic (symphonic)
Best Known For:  syms.---quartets---songs
Musical Influences:  Ravel; Satie; Sessions; Stravinsky

Dittersdorf, K[C]arl Ditters von (1739-99) Austrian; Vienna-based to 1787
Style/Period:  Classical (Viennese Classical)
Best Known For:  syms.---concs.---chamber music---stage works
Notable Work:  . . . Sinfonia Concertante for Viola, Double-bass & Orchestra (d?) 
Musical Influences:  J Haydn; Jommelli; +Mozart; folksong

Dohnányi, Ernst von [Erno] (1877-1960) Hungarian; U.S.-based from 1949
Style/Period:  Late Romantic
Genre Profile:  202---2210---2222---201---12---110
Quantity of Work Produced:  considerable
Best Known For:  chamber music---piano (solo, w/orch.)
Notable Works:  . . . Serenade for Violin, Viola & Cello in C (1902) . . . Variations on a Nursery Song [pf & orch.] Op.25 (1914) 
Musical Influences:  BRAHMS; Liszt; Wagner

38. Donizetti, Gaetano (1797-1848) Italian; Naples-based 1822-38, thereafter in Paris
Style/Period:  Early Italian Romantic (bel canto)
Genre Profile:  121---0121---2212---211---13---220
Quantity of Work Produced:  immense
Best Known For:  operas---chamber music
Notable Works:  . . . L'Elisir d'Amore [opera] (1832) . . . Lucia di Lammermoor [opera] (1835) . . . La Favorite [opera] (1840) . . . La Fille du Régiment [opera] (1840) . . . Don Pasquale [opera] (1843) 
Musical Influences:  +Bellini; MAYR; ROSSINI
Has Influenced:  Bizet; Flotow; -Giuliani; Glinka; Ponchielli; Verdi

97. Dowland, John (1563-1626) British; travelled extensively in Europe for many years
Style/Period:  Late English Renaissance
Genre Profile:  [not used]
Quantity of Work Produced:  considerable
Best Known Work:  . . . solo lute pcs . . . 85 secular lute songs (in 4 books) [3-5 vv & lute] (p1597/p1600/p1603/p1612) . . . Lachrimae [collection of works for viol consort & lute (6 instrs.)] (p1604) . . . In Darknesse Let Mee Dwell [lute song for solo v & lute] (p1610) 
Musical Influences:  Marenzio; dance music; French & Italian music; chansons
Has Influenced:  Campion; -Morley; Weelkes

Druckman, Jacob (1928-96) American
Style/Period:  Serial (Expressionist, Neoromantic)
Best Known For:  vocal music---electronic & magnetic tape-based pcs---orchestral pcs
Musical Influences:  Copland; Persichetti; jazz

Dufay, Guillaume (c1398-1474) French
Style/Period:  Early Franco-Flemish Renaissance
Genre Profile:  [not used]
Quantity of Work Produced:  extensive
Best Known For:  masses---sacred motets---secular songs (chansons)
Notable Works:  . . . Missa Se la face ay pale [4 vv] (c1450) . . . Alma redemptoris mater [antiphon for 3 vv] (d?) . . . secular songs (chansons) [3-4 vv] (d?) . . . Missa Ave regina celorum [4 vv] (d?) 
Musical Influences:  DUNSTABLE; plainchant; English & Italian music
Has Influenced:  [A Busnois]; Josquin; Obrecht; Ockeghem

Dukas, Paul (1865-1935) French; Paris-based
Style/Period:  Late French Romantic (Impressionist)
Genre Profile:  203---0000---0002---200---22---010
Quantity of Work Produced:  small
Best Known Work:  . . . The Sorcerer's Apprentice ['symphonic scherzo' for orch. (sym. poem)] (1897) . . . Ariane et Barbe-bleue [opera] (1899-1906) . . . Villanelle [horn & pf] (1906) . . . La Péri [ballet] (1911-2) 
Musical Influences:  --Beethoven; Debussy; FRANCK; Lalo; R Strauss; WAGNER
Has Influenced:  -Albéniz; -Debussy; Enescu; Falla; Langlais; Messiaen; PISTON; Ponce; RODRIGO; Schoenberg; Stravinsky

Dunstable [Dunstaple], John (c1390-1453) British
Style/Period:  Early English Renaissance
Best Known For:  masses & mass movements---sacred motets---antiphons
Musical Influences:  plainsong
Has Influenced:  BINCHOIS; DUFAY; Ockeghem

Duparc, Henri (1848-1933) French
Style/Period:  Middle French Romantic
Best Known Work:  . . . songs [solo v & pf] (1868-c1886; several later orchestrated)
Musical Influences:  Fauré; Franck; Gounod; Liszt; Wagner

Dupré, Marcel (1886-1971) French; mainly Paris-based from c1898
Style/Period:  Neoromantic (French organ school)
Genre Profile:  201---2000---1112---131---00---210
Quantity of Work Produced:  considerable
Best Known For:  solo organ
Notable Work:  . . . 3 Preludes & Fugues [org] Op.7 (1912) 
Musical Influences:  ---JS Bach; Franck; [A Guilmant]; Tournemire; VIERNE; WIDOR
Has Influenced:  Alain; Langlais; Messiaen

Duruflé, Maurice (1902-86) French; Paris-based from 1919
Style/Period:  Neoromantic (French organ school)
Best Known For:  choral-orchestral music---solo organ
Notable Works:  . . . Requiem [solo vv, chorus, org & orch.] Op.9 (1947) . . . 4 Motets sur des Thèmes Grégoriens [chorus] Op.10 (1960) 
Musical Influences:  Tournemire; Vierne; Gregorian chant; Impressionists

Dussek, Jan Ladislav (1760-1812) Bohemian
Style/Period:  Classical to c1792, Post-Classical thereafter
Best Known For:  piano sonatas---chamber music---concs.

Dutilleux, Henri (1916-) French; mainly Paris-based from c1933
Best Known For:  syms.---orchestral pcs---chamber music
Notable Works:  . . . Sonatine [fl & pf] (1943) . . . Conc. for Cello & Orch. (1968-70) . . . Timbres, Espace, Mouvement [orch.] (1978) 
Musical Influences:  Bartok; Debussy; Ravel; Roussel; Stravinsky; jazz

21. Dvorák, Antonin (1841-1904) Bohemian; mainly Prague-based from 1857 (worked in the U.S. 1892-95)
Style/Period:  Late German Romantic/Czech Nationalist
Genre Profile:  323---2300---3332---210---02---220
Quantity of Work Produced:  extensive
Best Known For:  significant or important contributor to most main genres
Notable Works:  . . . songs [solo v & pf] (1865-95) . . . Romance in F minor [vln & orch.] Op.11 (1873-7) . . . Serenade in E [string orch.] Op.22 (1875) . . . Stabat Mater [4 solo vv, chorus & orch.] Op.58 (1876-7) . . . Symphonic Variations [orch.] Op.78 (1877) . . . 3 Slavonic Rhapsodies [orch.] Op.45 (1878) . . . Bagatelles [2 vlns, vc & harmonium] Op.47 (1878) . . . Serenade for Winds [12 instrs.] Op.44 (1878) . . . String Sextet in A Op.48 (1878) . . . String Quartet #10 in E flat Op.51 (1878-9) . . . Slavonic Dances (2 series) [orch.] Opp. 46/72 (1878/1886-7) . . . Violin Conc. in A minor Op.53 (1879-80) . . . Piano Trio #3 in F minor Op.65 (1883) . . . Sym. #7 in D minor Op.70 (1884-5) . . . Piano Quintet in A Op.81 (1887) . . . Sym. #8 in G Op.88 (1889) . . . Piano Trio #4 in E minor 'Dumky' Op.90 (1890-1) . . . Carnival Over. [concert over.] Op.92 (1891) . . . Te Deum [2 solo vv, chorus & orch.] Op.103 (1892) . . . String Quartet #12 in F 'American' Op.96 (1893) . . . Sym. #9 in E minor 'From the New World' Op.95 (1893) . . . Cello Conc. in B minor Op.104 (1894-5) . . . String Quartet #13 in G Op.106 (1895) . . . String Quartet #14 in A flat Op.105 (1895) . . . Rusalka [opera] (1900) 
Musical Influences:  -Beethoven; Brahms; Chopin; --J Haydn; Liszt; --Mozart; -Schubert; Smetana; Wagner; EUROPEAN & AMERICAN FOLK MUSIC
Has Influenced:  Beach; COLERIDGE-TAYLOR; Elgar; JANÁCEK; NOVÁK; SUK

Eisler, Hanns (1898-1962) German-Austrian; New York-based 1937-48, Berlin-based thereafter
Best Known For:  songs---chamber music---orchestral pcs---works for stage & screen---music on political subjects
Notable Work:  . . . Divertimento [wind quintet] Op.5 (1923) 
Musical Influences:  jazz

45. Elgar, Edward (1857-1934) British
Style/Period:  Late English Romantic
Genre Profile:  223---0322---2212---220---12---320
Quantity of Work Produced:  extensive
Best Known For:  orchestral pcs---syms.---choral & choral-orchestral music---concs.---chamber music
Notable Works:  . . . Serenade in E minor [string orch.] Op.20 (1892) . . . Variations on an Original Theme 'Enigma' [orch.] Op.36 (1898-9) . . . The Dream of Gerontius [sacred oratorio for 3 solo vv, chorus & orch.] (1899-1900) . . . Cockaigne (In London Town) [concert over.] Op.40 (1900-1) . . . Pomp & Circumstance March #1 in D [orch.] Op.39 no.1 (1901) . . . Introduction & Allegro [str qtt & string orch.] Op.47 (1904-5) . . . Sym. #1 in A flat Op.55 (1907-8) . . . Violin Conc. in B minor Op.61 (1909-10) . . . Sym. #2 in E flat Op.63 (1909-11) . . . Falstaff: Symphonic Study in C minor Op.68 (1913) . . . String Quartet in E minor Op.83 (1918) . . . Piano Quintet in A minor Op.84 (1918-9) . . . Cello Conc. in E minor Op.85 (1919) 
Musical Influences:  ---JS Bach; Brahms; Delibes; Dvorák; Franck; --Handel; --J Haydn; -Mendelssohn; Meyerbeer; -R Schumann; WAGNER
Has Influenced:  Bax; Bliss; Carpenter; Finzi; Howells; Vaughan Williams; Walton

Enescu, George [Enesco, Georges] (1881-1955) Romanian-French
Style/Period:  Late (post-Brahmsian) Romantic to c1914; Impressionist thereafter
Genre Profile:  202---1200---2212---201---02---020
Quantity of Work Produced:  modest
Best Known For:  orchestral pcs---chamber music
Notable Works:  . . . 2 Romanian Rhapsodies [orch.] Op.11 (1901) . . . Legend [trumpet & pf] (c1905) . . . Sonata for Violin & Piano #3 in A minor Op.25 (1926) 
Musical Influences:  ---JS Bach; Brahms; Debussy; Dukas; Fauré; Franck; Massenet; Ravel; Wagner; Romanian folk music

66. Falla, Manuel de (1876-1946) Spanish; Cadiz, Madrid, Paris, Granada & finally Argentina-based
Style/Period:  Spanish Nationalist (Impressionist) to c1920; Neoclassical thereafter
Genre Profile:  021---2000---1101---202---32---120
Quantity of Work Produced:  considerable
Best Known Work:  . . . La Vida Breve [opera] (1904-5) . . . Nights in the Gardens of Spain [pf & orch.] (1911-5) . . . 7 Popular Spanish Songs [solo v & pf/orch.] (1914-5) . . . El Amor Brujo [ballet] (1914-5) . . . The Three-Cornered Hat [2 suites for orch. from the ballet] (1919) . . . Homenaje 'Le Tombeau de Claude Debussy' [guitar] (1920) . . . Conc. for Harpsichord, Flute, Oboe, Clarinet, Violin & Cello [6 instrs.] in D (1923-6) 
Musical Influences:  Albéniz; --Chopin; Debussy; Dukas; Ravel; [F Pedrell]; ---D Scarlatti; +Stravinsky; Spanish folk music
Has Influenced:  Ginastera; Rodrigo; Turina

Fasch, Johann Friedrich (1688-1758) German
Style/Period:  Late German Baroque/Pre-Classical
Best Known For:  concs. (espec. for brass &/or woodwinds)
Notable Works:  . . . Conc. in D [trumpet, 2 oboes & strings] (d?) . . . Conc. for Trumpet & Strings in D (d?)

32. Fauré, Gabriel (1845-1924) French; mainly Paris-based from 1854
Style/Period:  Late French Romantic (Neoclassical)
Genre Profile:  022---2200---2223---202---02---330
Quantity of Work Produced:  extensive
Best Known For:  chamber music---songs & song cycles---piano (solo, chamber combs., w/orch.)---sacred choral & choral-orchestral music---orchestral pcs---cello (chamber combs.)---solo harp
Notable Works:  . . . Cantique de Jean Racine [sacred cantata for chorus & org] Op.11 (1865, r1866) . . . Sonata for Violin & Piano #1 in A Op.13 (1875-6) . . . Piano Quartet #1 in C minor Op.15 (1876-9) . . . Requiem [2 solo vv, chorus & orch.] Op.48 (1877, 1887-90, 1900) . . . Après un Rêve in C minor [song for solo v & pf] Op.7 no.1 (1878?) . . . Berceuse in D [vln & pf] Op.16 (1879) . . . Elégie [vc & pf] Op.24 (1880; vc & orch. arr. c1896) . . . Ballade in F sharp [pf & orch.] Op.19 (1881) . . . Clair de Lune in B flat minor [song for solo v & pf] Op.46 no.2 (1887) . . . Pavane [orch. w/chorus ad lib; also in other arrs.] Op.50 (1887) . . . La Bonne Chanson [song cycle for solo v & pf] Op.61 (1892-4) . . . Dolly [suite for pf 4 hands] Op.56 (1894-7) . . . Fantaisie [fl & pf] Op.79 (1898) . . . Suite from Pelléas et Mélisande [orch.; from incidental music to the Maeterlinck play, orch. by C. Koechlin] Op.80 (1898) . . . Impromptu [harp] Op.86 (1904) . . . Pénélope [opera] (1913) . . . Piano Trio in D minor Op.120 (1922-3) . . . String Quartet in E minor Op.121 (1923-4) 
Musical Influences:  Chopin; Gounod; Liszt; SAINT-SAËNS; Wagner; Renaissance, Baroque & Classical music
Has Influenced:  Albéniz; Berkeley; Boulanger; Casella; Debussy; Duparc; Enescu; Ibert; Jongen; Koechlin; Martin; Milhaud; Piston; Poulenc; RAVEL; Tailleferre; Vierne

Feldman, Morton (1926-87) American
Style/Period:  American Avant-garde (Minimalist)
Best Known For:  aleatory music---chamber music
Notable Work:  . . . Coptic Light [orch.] (1986)
Musical Influences:  CAGE; Varèse; Webern; Wolpe
Has Influenced:  -Cage; [C Wolff]

Fibich, Zdenek (1850-1900) Bohemian; Prague-based from 1874
Style/Period:  Late (post-Wagnerian) Romantic
Best Known For:  solo piano---operas & other dramatic music---orchestral pcs---syms.
Notable Works:  . . . Poème [pf] Op.41 no.6 (1892-3) . . . At Twilight [sym. poem] Op.39 (1893) 
Musical Influences:  Brahms; -Mendelssohn; R Schumann; Wagner; -Weber

Field, John (1782-1837) Irish; London-based 1793-1802; mainly Russia-based thereafter
Style/Period:  Post-Classical (London piano school)
Best Known For:  piano (solo--espec. nocturnes, chamber combs., w/orch.)
Notable Works:  . . . Rondo from Piano Sonata in E flat Op.1 no.1 (p1801) . . . Piano Conc. #2 in A flat (1811) . . . Nocturne #1 in E flat [pf] (1812) 
Musical Influences:  Clementi; Russian music
Has Influenced:  Chopin; Liszt; Mendelssohn

Fine, Irving (1914-62) American; Boston area-based
Style/Period:  French Neoclassical
Best Known For:  chamber music---choral music---orchestral pcs
Musical Influences:  Hindemith; Stravinsky

Finney, Ross Lee (1906-97) American
Style/Period:  Post-Schoenbergian Serial
Best Known For:  chamber music---choral & choral-orchestral music
Musical Influences:  Berg; Dallapiccola; Sessions; American folk music
Has Influenced:  Crumb

Finzi, Gerald (1901-56) British
Style/Period:  English Nationalist (Neoromantic)
Genre Profile:  022---2220---1012---000---00---220
Quantity of Work Produced:  modest
Best Known For:  choral & vocal/choral-orchestral music---songs & song cycles---orchestral pcs
Notable Works:  . . . songs [solo v & pf] (c1926-56) . . . 5 Bagatelles [cl & pf] Op.23 (1920s, r1941-3) . . . Dies natalis [secular cantata for solo v & string orch.] (1926-39) . . . Eclogue [pf & orch.] Op.10 (late 1920s, r. late 1940s) . . . Conc. for Clarinet & String Orch. in C minor Op.31 (1948-9) . . . God is Gone Up [anthem for mixed 4 vv chorus & org] Op.27 no.2 (1951) 
Musical Influences:  ---JS Bach; Elgar; Parry; Vaughan Williams