Titles Published by Steel Toe Books
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Domestic Fugues
by Richard Newman
"As the title implies,
Richard Newman's Domestic Fugues is a musical confrontation with
the difficult and painful recurrences of middle age--
love lost and love renewed, the depredations of time and change,
the fear of aging as diminishing possibility. But as the title
also suggests, and as the poems consistently demonstrate, this
is also a book about enduring need and the transformative power of song.
Domestic Fugues is a lovely, grimly funny and always moving celebration of persistance."
—Alan Shapiro
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about Domestic Fugues.
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Blue Collar Eulogies
by Michael Meyerhofer
"Again and
again, Michael Meyerhofer fools us into feeling sorry for
ourselves for being so vulnerable, so open, so stupidly
hopeful, in spite of all the evidence. And just when we're
ready to take out the handkerchiefs he zaps us: it's always
been like this. That's the whole point. Meyerhofer's tough,
lovely poems remind us that the aim of being human, of
moving through what Keats called "this Vale of Soul-Making,"
is to rise above ourselves, to take this sorry predicament
and turn it into something shining and valuable."
—George Bilgere
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about Blue Collar Eulogies.
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Nevertheless, hello
by Christopher Goodrich
"If you want to laugh out loud
while simultaneously weeping silently, read Chris Goodrich.
If you want to meet a poet with far more than his rightful
share of wisdom and tenderness laced with iodine, Goodrich is
your man. Talk about love and marriage, in poetry that's
inventive, playful, and right on target about just how needy
we all are? Read this book for pure pleasure."
—Alicia Ostriker
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about Nevertheless, hello.
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Bending Under the Yellow Police Tapes
by James Doyle
"Doyle's characters persevere .
. . because they are all right with the unfairness, the
sometimes absurdity, of the world. They know how to,
when necessary, turn their backs on its silly cruelties, its
cancer cells, its predatory laws, even its spoiled
fifteen-year-old girls, who think they are deciding our
ends."
—Joe Benevento, The Green Hills Literary Lantern
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about Bending Under the Yellow Police
Tapes.
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Lightning and Ashes
by John Guzlowski
"The poet’s father tells
his son that in one of the slave-labor camps he had watched
‘a woman in the moments before she died / take a stick and
try to write her name / in the mud where she lay.’ This book
magnificently redeems that lost gesture. It brings us face
to face with what we cannot allow ourselves to forget."
—Jared Carter
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about Lightning and Ashes.
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Prairie Fever
by Mary Biddinger
"Mary Biddinger is a beguiling shape-shifter,
one who suffuses her writing with electricity and alacrity of
language. I marvel at the elegant architecture and scope of
each poem. The veritable menagerie of animals that visit these
pages simply enchants: zebras, rhinos, marabou, goldfish, bears,
and banana spiders. These poems bite and scare, ravish and delight.
Prairie Fever showcases a beautiful mind, a beautiful debut."
—Aimee Nezhukumatathil
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about Prairie Fever.
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Blue Positive
by Martha Silano
"Martha Silano's poems are full of sex
and birth and food, mind and body. Their richness of detail
makes reading this book like entering a home: there is a bustle
to her language as she tries to gather everything she loves.
Silano writes, 'I'm surprised how the trees keep themselves/from
falling, how mostly stable this sloping, unpredictable earth.'
By the end of Blue Positive, I trust
both her surprise and her wisdom."
—Bob Hicok
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about Blue Positive.
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Becoming the Villainess
by Jeannine Hall Gailey
"In this splendidly entertaining debut,
Jeannine Hall Gailey offers us a world both familiar and magical—filled
with fairytale and mythology characters that are our own bedfellows—we
wake up with Philomel and argue with Ophelia while half-listening
to a Snow Queen, amidst Spy Girls, Amazons and Mongolian Cows.
The wild and seductive energy in this collection never lets
one put the book down. For her delivery is heart-breaking and
refreshing, so the poems seduce us with the sadness, glory and
entertainment of our very own days. Propelled by Jeannine Hall
Gailey’s alert, sensuous, and musical gifts, the mythology becomes
all our own."
—Ilya Kaminsky
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about Becoming the Villainess.
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Jump Start: A Northwest Renaissance Anthology
Compiled by Northwest Renaissance Poets
"What I like most about this little anthology is the generosity
of spirit behind it. In a time when too many poets approach 'the
poetry biz' as a competitive arena, it's refreshing to see a project
founded on the presumption that we can learn from one another."
"The range of poets is remarkable, demonstrating full the
organizers' commitment to diverse approaches. It's a collection
worth celebrating"
—Samuel Green, first Poet Laureate of the State of Washington
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about Jump Start: A Northwest Renaissance Anthology.
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Conditions and Cures
by Ken Waldman
"Full of poems that stand alone as consummate
accomplishments, Conditions and Cures nevertheless coheres as
a book about life-and-death verities, strategies for survival
or triumph or at least coping gracefully. The comic is one of
those strategies, and Ken Waldman is often at his most hilarious
when he’s addressing subjects another poet might murder with
solemnity. In addition, he frequently engages with demanding
forms like pantoums, villanelles, sestinas and sonnets, submitting
to their guidance but never losing his independence. The secret
of such a trick is his ear: a professional musician, Waldman
swears final allegiance to the body of our language, its sonorities
and rhythms, to its possibilities as song—a co-strategy with
the comic."
—Philip Dacey
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about Conditions and Cures.
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Diary of a Cell
by Jennifer Gresham
"In Diary of a Cell Jennifer Gresham
lays a sharply focused lens of language on the surface of experience
to learn, as she says in 'Anatomy', 'the secrets out of the
deep.' The depths here are not measured in fathoms or leagues
but by the complicated and complex scale of human emotions.
Gresham is a clear-headed and clear-eyed poet who understands
'why the memory of kindness/can find us in the dark' and her
debut volume radiates with the light of this discovery."
—Michael Collier
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about Diary of a Cell.
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